W Ramach Sopotu Festival of Photography

 

Courtesy of W Ramach Sopotu Festival of Photography

Courtesy of W Ramach Sopotu Festival of Photography

The third edition of the W Ramach Sopotu Festival of Photography will transform the seaside Sopot into a centre of Polish photography once again. Lovers of the art of photography will have an opportunity to see the effects of work of the festival residents – the leading Polish photographers. Artistic residences are typical of Sopot’s festival. The selection of impressive authors, expressing themselves in different kinds of photographic art lets gather enthusiasts of different interests around one event. To this year’s edition of the festival, its Art Director, Tomasz Bergmann, invited artists using different stylistic formula: documentarists who also know the language of abstraction as well as creative authors also expressing themselves in modern documentary forms: Kuba Dąbrowski, Zuza Krajewska, Adam Lach (doc! #18), Rafał Milach (doc! #19), Tadeusz Rolke (doc! #11) and Ilona Szwarc (doc! #7).

The title frames of the festival are taken from the literally meaning while the idea of the organisers expresses the concept from behind the world of limits. The total freedom of creativity, given to artists by the town, encourages to cross the frames. Sopot offers them its physical tissue and the photographs are allowed to use everything that is nonmaterial. According to the organisers, the cyclic formula of the festival will create a multidimensional portrait of the place as well as the changing reality.

 

Courtesy of W Ramach Sopotu Festival of Photography

Courtesy of W Ramach Sopotu Festival of Photography

The projects done in the frames of the artistic residences will be presented as the main exhibition of the festival (curator: Maja Kaszkur). The exhibition will be supported by many artist’s talks and workshops.

Further attractions of the 3rd edition of W Ramach Sopotu Festival of Photography are:

  • Places. Reconstruction III, monographic exhibition of Tadeusz Rolke curated by Marek Grygiel;
  • Single Shot, collective exhibition originally organised by the Fort Institute of Photography and curated by Krzysztof Miękus;
  • Freefall, individual exhibition of Pszemek Dzienis originally organised by the Leica 6×7 Gallery Warsaw;
  • DEBUTS (edition 2017), post-competition exhibition of the project organised by doc! photo magazine;
  • outdoor exhibition of Łukasz Gawroński;
  • project by students of the Gdańsk Academy of Fine Arts curated by Wojtek Wieteska;
  • presentation of works by students of the Sopot School of Photography and Instagrammers.

 

W Ramach Sopotu Festival of Photography
@ Sopot (Poland)
September 8-10, 2017

www.wramachsopotu.pl

The 3rd edition of the W Ramach Sopotu Festival of Photography is organised under doc! photo magazine patronage.

Bogdan Dziworski @ Leica 6×7 Gallery Warsaw

Łódź (Poland), 1972 Courtesy of Leica 6x7 Gallery Warsaw

Łódź (Poland), 1972
Courtesy of Leica 6×7 Gallery Warsaw

Bogdan Dziworski’s photographs belong to the canon of Polish post-war photography. His black and white pictures present daily life of common people, just met on the street during long hours walks. Dziworski, outstanding filmmaker and master of street photography, by many considered Polish Cartier-Bresson, whose photos often resemble frames directly taken from films by leading directors of the so called Polish film school, like Andrzej Wajda, Janusz Morgenstern and Wojciech Jerzy Has, perfectly catches reality, thanks to which the situations shown in his pictures have specific aura. In effect, each picture is a short story in a form of poetic or funny anecdote

“My pictures from those years are never staged,” - says Dziworski. – “They are walked-out. Day by day, there were even eight hours of shooting. Zbigniew Rybczyński used to say: ‘Wherever I go, something interesting happens.’ It was like that with me. At the beginning – nothing. Some time later, if you are patient enough, you start your dancing with reality. It seems that everything is over, a normal man says ‘Goodbye,’ but it is just this moment to start shooting! And then that Bresson’s decisive moment appears. After long workouts it can be overtaken by fractions of a second. Photographing is waiting for this moment, when the reality will set itself. But you must be lucky. And I am. I watch two plans and put them together. Three plans would be incredible luck, that gets into your frame. A film director could stage it, I wait.” 

Skierniewice (Poland), 1986 Courtesy of Leica 6x7 Gallery Warsaw

Skierniewice (Poland), 1986
Courtesy of Leica 6×7 Gallery Warsaw

Łódź (Poland), 1966 Courtesy of Leica 6x7 Gallery Warsaw

Łódź (Poland), 1966
Courtesy of Leica 6×7 Gallery Warsaw

Bogdan Dziworski’s work is something more than street photography and photo stories from the second part of the 20th century. There is also a consequently, for decades realised project with a huge emotional load. Dziworski’s photographs have significant historical and cognitive value.

Many frames from his photographic record, created a little as if by chance, have never been presented. His first album titled My View was published in 1981 in Vienna (Austria). Not sooner did the second one appear than in the 1990s. It was the time when his intimate exhibitions took place in Warsaw, Cracow, Wrocław and Częstochowa (all in Poland). The f/5.6 exhibition at the Leica 6×7 Gallery Warszawa will be the first comprehensive, cross-sectional retrospective, representing the whole of Bogdan Dziworski’s many years of photographic work. Many of the never published before works, carefully selected from the photographer’s large archive, will be presented during the exhibition.

The exhibition will be accompanied by an album of the same title, artist’s talks and screening of Bogdan Dziworski’s documentary films.

Łódź (Poland), 1965 Courtesy of Leica 6x7 Gallery Warsaw

Łódź (Poland), 1965
Courtesy of Leica 6×7 Gallery Warsaw

Bogdan Dziworski (b.1941) | based in Warsaw and Szczecin (Poland) | photographer, cameraman, film screenwriter and lecturer | graduate of the Łódź Film School’s Direction of Photography faculty (1965) | awarded with the Gloria Artis Gold Medal (2014) | has cooperated with Polish Film Chronicle, Educational Film Studio in Łódź and Film Production Company Zespoły Filmowe | author of numerous documentary films awarded at major festivals, including Fencer (1980) and Olympiad (1978) | founder and the longtime Dean of the Radio and Television Faculty of the University of Silesia in Katowice | has presented his photographs at individual exhibitions in Poland and in the USA | author of the books My View. Polish Impressions in Photography (Hannibal Verlag, Vienna, 1981) and 1/250 second (Wydawnictwa Artystyczne i Filmowe, Warsaw, 2000) | the first part of the Polish Photography cycle was devoted to his work (TERRA NOVA Krzysztof Heike, Warsaw, 1999).

Bogdan Dziworskif/5.6
@ Leica 6×7 Gallery Warsaw (3 Mysia St., Warsaw, Poland)
Opening reception: September 7 at 7.00 PM
The exhibition will be open to the public between September 8 and October 22, 2017

Accompanying events:

  • artist’s talks: September 25 and October 9 @ Leica 6×7 Gallery Warsaw at 6.00 PM
  • film screenings and talks: September 30 @ Leica 6×7 Gallery Warsaw at 4.40 PM and October 15 @ Elektronik Cinema (7 Gen. Zajączka St., Warsaw, Poland) at 6.00 PM

The Bogdan Dziworski exhibition is organised under doc! photo magazine patronage.