The 3rd edition of the International Photography Festival Białystok INTERPHOTO biennale starts at the beginning of September. This year’s event, titled The Limits of Tolerance, includes not only exhibitions, but also meetings, lectures, workshops, multimedia presentations, school competitions, activities combining photography with music or literature, and city games. This year, in addition to artists from different countries, the event will host reviewers, curators and critics responsible for similar events in other European cities that make up the international opinion of the environment. Thanks to them, the festival is enriched with INTERPHOTO Grand Prix and International Portfolio Review.
The festival is a place where Eastern European photography can meet with the Western one, where photographers – focused on important social identity and formal issues in the field of contemporary media as artistic expression – may exchange their experiences and start new joint projects.
Although the festival officially starts on September 14, a part of its extensive programme opens before that day. Within the framework of the festival there will be 34 individual and group exhibitions. There will be over 50 different accompanying activities, including workshops (eg rare European daguerreotype workshops run by Lithuanian artists), film screenings, meetings, lectures and other forms of talks about photography. More than 200 artists will come to Białystok to participate at exhibitions and in workshops, lectures and meetings. More than 30 organisations and institutions are involved into the festival, and the festival events will take place in more than 23 venues: from galleries, through universities and coffee houses to streets.
This year’s edition theme is Limits of Tolerance. It will be answered by such artists as Martin Kollar, István Halas, Andriy Boyarov, Arnis Balčus, Maria Kapajeva, Jan Pohribný, Alexander Vasukovich and Bogdan Konopka (cd! #3). The festival will also present numerous group exhibitions, including Zero-61” (curated by Lech Lechowicz), Central by East Central (curated by Adam Mazur) and post-competition presentation of the most talented emerging Polish photographers DEBUTS (edition 2017).
More info @ www.interphoto.pl
International Photography Festival Białystok INTERPHOTO 2017
@ Białystok (Poland)
September 14 – October 18, 2017
The 3rd edition of the International Photography Festival Białystok INTERPHOTO is organised under doc! photo magazine patronage.
All pictures courtesy of the International Photography Festival Białystok INTERPHOTO.
The third edition of the W Ramach Sopotu Festival of Photography will transform the seaside Sopot into a centre of Polish photography once again. Lovers of the art of photography will have an opportunity to see the effects of work of the festival residents – the leading Polish photographers. Artistic residences are typical of Sopot’s festival. The selection of impressive authors, expressing themselves in different kinds of photographic art lets gather enthusiasts of different interests around one event. To this year’s edition of the festival, its Art Director, Tomasz Bergmann, invited artists using different stylistic formula: documentarists who also know the language of abstraction as well as creative authors also expressing themselves in modern documentary forms: Kuba Dąbrowski, Zuza Krajewska, Adam Lach (doc! #18), Rafał Milach (doc! #19), Tadeusz Rolke (doc! #11) and Ilona Szwarc (doc! #7).
The title frames of the festival are taken from the literally meaning while the idea of the organisers expresses the concept from behind the world of limits. The total freedom of creativity, given to artists by the town, encourages to cross the frames. Sopot offers them its physical tissue and the photographs are allowed to use everything that is nonmaterial. According to the organisers, the cyclic formula of the festival will create a multidimensional portrait of the place as well as the changing reality.
The projects done in the frames of the artistic residences will be presented as the main exhibition of the festival (curator: Maja Kaszkur). The exhibition will be supported by many artist’s talks and workshops.
Further attractions of the 3rd edition of W Ramach Sopotu Festival of Photography are:
- Places. Reconstruction III, monographic exhibition of Tadeusz Rolke curated by Marek Grygiel;
- Single Shot, collective exhibition originally organised by the Fort Institute of Photography and curated by Krzysztof Miękus;
- Freefall, individual exhibition of Pszemek Dzienis originally organised by the Leica 6×7 Gallery Warsaw;
- DEBUTS (edition 2017), post-competition exhibition of the project organised by doc! photo magazine;
- outdoor exhibition of Łukasz Gawroński;
- project by students of the Gdańsk Academy of Fine Arts curated by Wojtek Wieteska;
- presentation of works by students of the Sopot School of Photography and Instagrammers.
W Ramach Sopotu Festival of Photography
@ Sopot (Poland)
September 8-10, 2017
The 3rd edition of the W Ramach Sopotu Festival of Photography is organised under doc! photo magazine patronage.
New realities, quasi-biographies, weird, unbelievable worlds. This year, Fotofestiwal has invited artists who use fiction to comment on ‘here and now.’ They will draw you into a game, where boundaries between the real and the unreal are no longer so obvious. Hence the title of the 16th edition of Fotofestiwal – DASZ WIARĘ? / CAN YOU IMAGINE?
Fotofestiwal is one of the most significant photography events in this part of Europe. It gathers photographers from all over the world, presenting their works at exhibitions visited by thousands of viewers. Fotofestiwal is an opportunity for the audience to discover the most interesting phenomena of contemporary photography, while for photographers – to broaden their knowledge during workshops and the portfolio review.
This year, the viewers will face imagined realities and participate in a game in which they will no longer be just passive observers. The artists who participate in Dasz wiarę? / Can you Imagine? say: don’t believe photography, ask questions, be an attentive observer. Dialogue with the audience of Dasz wiarę?/ Can you imagine? is strengthened by subtle, (un)real installations by Noémie Goudal and the latest project called Provisional Arrangements by Martin Kollar, a renowned absurd seeker.
The curator’s exhibition will be prepared by one of the most intriguing artists of the young generation – Augustin Rebetez. He is known for his signature – black birds, human-like creatures and incredible structures that have made appearance in the minimalist gallery halls of Berlin, Paris, Lausanne, Arles, Mexico City or Montreal, among others. Trash Cans for Hearts and People Have No Soul, a chorus exhibition curated by Augustin Rebetez, is more than a photography exhibition – it is a total artistic universe, which Rebetez creates together with sixteen other artists, including David Favrod (winner of the 2014 Grand Prix Fotofestiwal), Christian Patterson, Birthe Piontek, Reiner Riedler and Yumiko Utsu.
The team of curators will present the set of works authored by the master of artistic mystification – Joan Fontcuberta. This will be the first in Poland presentation of such a large collection of works by one of the best known artists, curators and theoreticians of photography. Fontcuberta’s works have been presented in the most renowned arts institutions in the world. In Łódź, we will see three of his projects: Fauna, Herbarium and Constellations, which have significantly influenced the understanding of contemporary photography. Herbarium and Constellations take us to the fantasy world of quasi-botany and pseudo-astronomy. Fauna is a seemingly documentary project about research conducted by an unknown biologist, who discovers new animal species. A snake with centipede’s legs or a monkey having a body of a horse are only examples of what Fontcuberta ‘captured.’ It could change the history of science… if only it was real.
This year’s Fotofestiwal theme will also be reflected at the photo book exhibition and selected film screenings. However, Fotofestiwal is not only about the world of fiction – the NOOR agency (doc! #7), known for its strictly documentary photography, will organise workshops for photographers and the celebration of its 10th anniversary.
Traditionally, the festival will begin with announcement of the results of Grand Prix competition, presenting the most interesting phenomena of contemporary photography. One out of ten finalists – Loulou d’Aki, Andrea & Magda, Zeng Ge, Dominika Gęsicka (doc! #26), Wojciech Grzędziński (doc! #11), Vittorio Mortarotti & Anush Hamzehian, Alexandra Lethbridge, Jerome Ming, Viacheslav Poliakov and Oliver Tooke – will receive the prize of PLN 10,000. The competition works will be presented at the exhibitions and slideshows in the urban space.
The main programme of the 2017 Fotofestiwal Łódź is enriched with:
- lots of accompanying exhibitions, including the premier show of the DEBUTS (edition 2017)’s laureates as well as individual exhibitions of Viviane Sassen (doc! #5) or Rafał Milach (doc! #19);
- photobook exhibitions (Kassel Dummy Award 2017 and Photo Publication of the Year);
Fotofestiwal Kids, a series of workshops for the youngest ones, guided walks around exhibitions and a playground where parents may leave their children under care, while they themselves can see the exhibitions.
Next to the photo exhibitions, events, evening slideshows, artist’s talks and guided walks, the festival will also include film screenings (thanks to partnership with Transatlantyk Film Festival): premieres of most interesting documentaries about photography and photographers (i.e. Josef Koudelka and Robert Frank), some works that are a result of the search for a new film form that includes photography, and short photo-films presented earlier at the Les Nuits Photographie Festival.
More info @ www.fotofestiwal.com
@ Łódź (Poland)
June 1-11, 2017
The International Festival of Photography FOTOFESTIWAL ŁÓDŹ is organised under doc! photo magazine patronage.
“Nothing is true and nothing is false – everything is a possible true fiction or a deceptive fact,” – this is how Gordon MacDonald, the curator of the main programme, writes on images presented during the Krakow Photomonth 2017 Festival, one of the Europe’s most important photographic events. The 15th, jubilee edition of the festival focuses on how photographers see and describe the world.
From the Outside, Looking In is a leitmotif of the festival’s main programme. Its focal point is the concept of a photographer as an observer. Starting from a spontaneous idea of examining a selected subject, the photographer enters into a somewhat closed world, looks in from the outside. It is his or her decision to which extent events can be observed, how deeply they can be penetrated, and how closely they can be examined. But even in the very middle, the artist is always separated from the scrutinised object by a camera. It is the device that records things; perception of the artist, and subsequently the viewers’, it is subject to his or her intellectual background and accumulated knowledge.
“With the series of exhibitions that make up ‘From the Outside, Looking In,’ I have taken the position that photography is always on the outside looking in,” – says Gordon MacDonald. – “With photography, the genesis of a work is often spontaneous, instantaneous, and external. Regardless of the nuance of particular practice or mode, force a feeling of examination, rather than what is widely considered as a more lyrical dialogue within many other art-forms.”
The projects presented under the common title From the Outside, Looking In show us the world while simultaneously balancing between reality and fiction. In the images, nothing is true and nothing is fabricated. Everything is possible. Whether we believe the image, is our own will or decision, our ability to be empathic, or our knowledge of a given field.
Divisive Moments is an exhibition which will test our perception. It will show documents from UFO Photo Archives, poses a question if we are regularly visited by aliens, or we are victims of mass self-manipulation.
Our comprehension is certainly manipulated by artists participating in The War From Here exhibition. They do not document individual war incidents we know from the news or photo reportages – they ask questions how we are connected with war. The presented images will make the viewers be closer to wars which are usually witnessed from a distance, will make them feel instead of just watch.
Further, we will take a look at a history of a small town in West Virginia (USA) told by an American artist, Susan Lipper, through her Grapevine series. Although her pictures seem to fit in the conventional poetics of documentary photography, in fact, Lipper has abandoned the traditional approach allowing her models to play roles and create characters which could be – but not necessarily – identical with themselves.
The work of Diana Lelonek – A New Archaeology for Liban and Płaszów – gives us an opportunity to contemplate the memory of sites and the stories told about ourselves by traces found by the artist in the area of the Liban quarry and a former concentration camp in Płaszów.
At the We Also Dance exhibition, Gordon MacDonald takes us on the journey to an extraordinary world of dance as a manifestation of freedom and an antidote to political and social control of minds and bodies.
This year’s edition of the festival brings several novelties. In addition to the part of the programme prepared by curators, the festival allowed special space for Polish photography. The Things: The Object in Polish Photography exhibition, presented by Collector’s Photography, shows works of outstanding Polish artists of several generations, who present their individual approaches – from a document, to conceptual ideas and photographic objects – to this subject. Photography in its classical form will be shown on the exhibition of Andrzej Georgiew, re-introducing his work and re-discovering this outstanding artist, also in the context of his place in the history of Polish photography. And finally, we will find ourselves in the very middle of theatre events guided by Magda Hueckel.
Another, but of equal importance, part of Krakow Photomonth is the ShowOFF Section presenting premiere projects of young artists selected through an open competition.The open call of this year’s edition of the ShowOFF Section won: Terje Abusdal (Norway), Jan Cieślikiewicz (DEBUTS 2014; Poland), Polina Karpova (Ukraine), Lucie Khahoutian (Armenia), Flor Maesen (Belgium), Viacheslav Poliakov (Ukraine), Kaja Rata (DEBUTS 2015; Poland) and Karolina Wojtas (Poland).
The Portfolio Review organised during the Krakow Photomonth Festival gives the opportunity for its participants to have their works assessed by experts. The reviewers include, as each year, Polish and international critics, gallery owners, artists and theoreticians. During 20-minute individual sessions the review participants may listen to the reviewers’ opinions regarding their works and establish valuable contacts. The best portfolios receive a prestigious prize funded by the Griffin Art Space Foundation – Griffin Art Space Prize – whose aim is to promote interesting and mature art projects. The winner, selected from participants in the Portfolio Review, will be able to create a professional collector’s folder and present his/her work in the form of an exhibition.
Accompanying events make an important part of the festival. The Krakow Photo Fringe is an independent platform bringing together submissions sent in by artists, animators, activists, galleries, and all those who are passionate about photography – including the final exhibition of DEBUTS (edition 2016). The success of the previous editions has led the organisers to expand the Photo Fringe to cover the entire Małopolska region. This year exhibitions and events will take place in Tarnów, Krzeszowice, Myślenice and other localities.
Particular attention should be also paid to the Masters Series. Invited artists and specialists will enrich the discussion around the theme of the festival and will talk about new trends in the world of photography. The program of events is filled out with book premieres, workshops, presentations, film screenings and curators walks.
More info @ photomonth.com
Krakow Photomonth 2017 Festival
@ Cracow (Poland)
May 19 - June 18, 2017
The Krakow Photomonth 2017 Festival is organised under doc! photo magazine patronage.
The 20th jubilee Film Video Foto Fair is closer and closer! The biggest industry event in Poland will become a great opportunity for all fans of film and photographic art again.
During this year’s edition of the fair almost 130 firms will appear, including leading producers and distributors of photo and video industry. Exhibitors will present a rich and varied offer of photographic, film, audio-video equipment and accessories as well as multimedia technologies. The Film Video Foto Fair is a great opportunity to follow the latest trends, test a wide assortment of products or learn about technological innovations. In addition to that, it is an excellent opportunity to establish new and maintain the current business contacts as well as exchange experiences and discuss the industry.
As usual, the fair is accompanied by workshops, seminars, presentations and meetings aimed at professionals dealing with photography and film as well as amateurs. Thanks to the rich programme of accompanying events, everybody will be able to develop their skills and competences by following the best.
The first series of the workshops and trainings is connected with photographing. Tomasz Tomkowiak, Karol Nienartowicz, Robert Wolański, Sławek “hesja” Krajniewski, Marek Arcimowicz, Wiktor Franko and Jacek Bonecki, all respected and repeatedly rewarded photographers, will tell about their experiences.
The people who are interested in filming will certainly listen to the lectures and participate in meetings with Captain Pilot Henryk Kwapisz or Wacław Mączyński, among others. There are also lectures aimed at those who are involved in image processing.
Another attraction for visitors of this year’s Film Video Foto fair is a cycle of author’s talks with famous photographers. The following artists have confirmed their participation: Chris Niedenthal (doc! #6), Jacek Poremba (doc! #8), Marcin Dobas and already mentioned Marek Arcimowicz.
As in the previous edition, the fair will also be accompanied by the Art Zone, the place of meetings with artists representing different kinds of photography and presenting their artistic achievements. During the jubilee edition of Film Video Foto Fair you will be able to meet Magdalena Franczuk, Sonia Firlej, Paweł Brzeziński, Arcadius Mauritz or Yulia Krivich (DEBUTS 2015), among others.
The visitors, after a large dose of information on the newest equipment and software, will be able to see several photo exhibitions, including:
- DEBUTS (edition 2016)
- Olympus’ visionaries
- collective exhibition of the Art Zone’s guests
- Our World Is Beautiful
- Opole Landscapes
- Agata Serge’s Freckles
More info @ www.filmvideofoto.pl
Please note, the first day of the Film Video Foto Fair (April 6) is scheduled for business meetings of the professionals. This day visiting is possible on the basis of invitations, multiple entry cards and media accreditations
20th Film Video Foto Fair
@ Expo-Łódź (4 Politechniki Av., Łódź, Poland)
April 6-8, 2017
At the beginning of April, Łódź will become a Polish capital of photography and filming. During three days of jubilee edition of FILM VIDEO FOTO fair, all those, whose passion is recording the light in the frame and film, will be celebrating their feast.
This year’s edition of the fair will give a great opportunity to see novelties presented by leading producers, service provides and distributors of photographic, film, audio-video equipment and accessories as well as multimedia technologies. The FILM VIDEO FOTO fair is not only the novelties from the world of photography and film, that you can see and test on your own, it is also a wonderful opportunity to meet the most recognisable and experienced experts in both of these fields.
As every year, the FILM VIDEO FOTO fair will offer its visitors a number of lectures and workshops. Every day the trainings will be divided into thematic blocks related to photography, film, print and image processing. There will also be exhibitions and meetings with famous photographers during which they will tell us about their skills and experience. This year’s Art Zone will be divided into Young Polish Photographers – including presentation of the DEBUTS (edition 2016) winners – and Masters of Frames. In addition, there will be meetings with artists presenting their own achievements and different kinds of photography.
The first day of the FILM VIDEO FOTO fair in Łódź, the biggest exhibition of photo, audio and video industry in Central and Eastern Europe, will belong exclusively to the industry representatives for B2B meetings. The next two days will be available to all those who want to develop their skills, gain knowledge of news in technology and meet recognisable experts in the industry of photography and film.
More info @ www.filmvideofoto.pl
FILM VIDEO FOTO 2017
@ Expo-Łódź (4 Politechniki Av., Łódź, Poland)
April 6-8, 2017
The FILM VIDEO FOTO fairs are organised under doc! photo magazine patronage.
The 4th edition of Press Photo Expo will take place in one of the oldest Warsaw’s trade houses, built in 1914 – The Jabłkowski Brothers – on January 16. The event, whose goal is to share photographic knowledge and experience, gathers professionals and photography lovers. This year’s edition of Press Photo Expo will consist of photo exhibitions, products presentations, legal consultations, lots of workshops and lectures, including this by special guest of the event – Joe Klamar, photojournalist of the Agence France Presse known for his controversial images of the US Olympics team.
“During this event professionals meet each other in one place to focus on offering designed specifically for them,” – says Adam Nurkiewicz, organising the event. - “The list of companies presenting their equipment for photographers covers all leading brands producing cameras, lenses and peripheries.”
The event is addressed primarily to professional photographers, freelancers, photo agencies and information services, photographic associations, journalists’ associations, editorial staff, students and all people interested in good photography.
One of the accompanying events of the 2017 Press Photo Expo will be Warsaw presentation of the most talented emerging Polish photographers, laureates of DEBUTS (edition 2016), selected by international jury, consisting of photographers, publishers and gallery owners.
More info @ www.pressphotoexpo.com
Press Photo Expo 2017
@ The Jabłkowski Brothers Trade House (25 Bracka St., Warsaw, Poland)
January 16, 2017
10.00 AM – 9.00 PM
The 2017 Press Photo Expo is organised under doc! photo magazine patronage.
This year’s anniversary edition of Fotofestiwal will begin on June 9 and last until June 19, 2016. The main theme of the fifteenth festival will be the experience intrinsically linked to photography from its very beginning – travel and the various forms of its recording and presentation. The main theme, HIT THE ROAD: Photographers’ Travel will comprise not only generic postcard photography, but also the forms that transcend it – conceptual, press and documentary photography.
The festival will take a look at the works of Robert Rauschenberg, co-creator of pop-art, and at the photographs of David “Chim” Seymour, one of the originators of the world famous Magnum Photos agency. The exhibitions under the HIT THE ROAD scheme are curated by Alison Nordström, the art director of the Fotofestiwal and former curator of George Eastman House at Rochester (NY, USA).
One of the regular sections of the festival is the Grand Prix. It begins with the photo contest and ends with the publication of its results as well as the opening of the final exhibitions. The winner of the Grand Prix, amounting PLN 10,000, will be announced during the festival opening ceremony. It will be one of the following artists:
Carlos Alba – The Observation of Trifles
The Observation of Trifles is a documentary photography project about how a foreigner finds his way in a new country and a new neighbourhood. The objects found in the street – details of letters with notes, drawings, urban furniture reproductions – are the key to an unexplored world and to new life stories.
David Fathi – Wolfgang
Wolfgang Ernst Pauli, one of the founders of quantum physics, was nicknamed the “Conscience of Physics”. But he was also known among his peers for something a bit less “scientific”. Legend says that when Pauli entered a room, experiences would fail and machinery would break down. His colleagues jokingly called this phenomenon The Pauli Effect. This series is a semi-fiction where the Pauli Effect continues to haunt everyday life at CERN. The observer is the actor in establishing what is science and what is a myth.
Nick Hannes – Mediterranean. The Continuity of Man
Over 100 million tourists flock to the Med every year. Thousands of desperate immigrants from Africa and Asia continuously attempt to cross its water in shabby boats. The project comprises pictures of the 20 countries, documenting contemporary issues such as tourism, urbanisation, migration, crisis and conflict.
Patryk Karbowski – Halfway
A middle-sized city in the centre of Poland, halfway between the mountains and the Baltic Sea. Neither rich, nor really poor, with a typical history of the region’s industrial capital which blossomed in the times of state socialism and lost that position after 1989. A halfway state, in between present and past, between East and West, between here and now.
Birte Kaufmann – The Travellers
The Travellers project gives insight into the everyday life of Ireland’s largest minority group. This group has a nomadic origin, stemming from the tradition of migrant workers. As this tradition no longer exists, the travellers are looking for a new identity within the Western European society of the 21st century.
Karolin Klüppel – Mädchenland (Kingdom of Girls)
In the state of Meghalaya in India, the indigenous people of the Khasi with 1,1 million members form the majority of the population. Here, traditionally it is the girls who are of particular importance and who play an exposed role in the family. The succession in the maternal line guarantees girls and women in Meghalaya a unique economic and social independence in contrast to the general conditions in India.
Yurian Quintanas – Happy Nothing
For some people the desert represents decay and death. There is scarcity of water and shade, extreme temperatures and a lack of resources for humans to survive. But at the same time there is a long tradition of the desert as a place of healing, both physically and spiritually. With the Californian desert as background, Happy Nothing is a personal journey that delves into the lives of its inhabitants and its secrets.
Jewgeni Roppel – Magnit
Today, Russians are talking about Siberia, especially in esoteric and spiritual societies, as a magical place on the Earth that attracts people who are seeking spiritual or mystic experience. The phenomenon of the new desire in Siberia, and its growing interest is the topic of Magnit.
Shadman Shahid – Ajna
Shadman Shadid’s journey has a slightly different character. The word Ajna is Sanskrit means the eye that one uses to see the immaterial, to observe that which is formless. In Ajna, the author of the photographs explores human existence, looking for answers to basic questions about self-fulfillment.
Sanne De Wilde – The Island of the Colourblind
Over 250 years ago, a catastrophic typhoon swept over the island Pingelap, a tiny atoll in the Pacific Ocean, leaving only 20 survivors. One of the survivors was the king, the ruler at that time, who carried the rare achromotopsia gene that causes complete colourblindness. The king went on to have many children and by the time the island reached the 4th generation of Pingelapese after the typhoon. Most of them see the world in black and white. What would colour look like, how would they colour the world, the trees, themselves?
The International Photography Festival in Łódź will also feature slideshows, over 30 exhibitions in the OFFROAD section (including the first public presentation of the DEBUTS 2016 laureates), portfolio review, photographic workshops and photowalks as well as a large section devoted to photobooks. The festival also returns – in cooperation with Transatlantyk – to a film programme containing the freshest and the most interesting films on photographers and photography.
2016 Fotofestiwal in Łódź
HIT THE ROAD: Photographers’ Travel
June 9-19, 2016
More info @ www.fotofestiwal.com
The 15th International Festival of Photography FOTOFESTIWAL in Łódź is organised under doc! photo magazine patronage.
Crisis? What Crisis?! is the main theme of the 14th edition of Krakow Photomonth, Europe’s leading photography festival, starting on May 12 in Cracow (Poland). The Main Program, curated by Lars Willumeit (German curator and cultural anthropologist), tries to present crisis not as a transitional phase or an anomaly, but as a characteristic trait of everyday life, a permanent state with which we must cope in practically all spheres of our lives: private, public and global. Political, economic, environmental and migration crises concern us to the same degree as crises of identity, trust, and “individuality” in the globalised world.
Nor has the crisis bypassed photography which, in our epoch of overproduction of images, is trying to find its place. The constantly changing media landscape has forced photographers – journalists, reporters and artists – to turn to new forms of communication with the viewer and creative use of source materials.
“The exhibitions presented during Krakow Photomonth, each alluding in their own way to global, social and political problems, have their own stakes in telling of the problems of the contemporary world; they are reflections upon the function of photography,” – says Lars Willumeit.
The artists invited to take part in the festival use a range of strategies to address these phenomena and to comment on them. The list opens with world-famous photographer Paul Graham, whose New Europe project has become remarkably prescient in the face of the all-too-evident crisis of “European values.” A wider global perspective comes courtesy of Swiss artist Yann Mingard who draws from the notion of the Anthropocene – the first geological epoch in history which has come about through human intervention. His project Deposit, completed between 2009 and 2013, makes visible how humankind collects, stores and classifies both biological specimens and digital information that are usually hidden from public view. To enable this, Mingard brought back images from twenty-one locations, dividing them into four sub-chapters: Plants, Animals, Humans and Data.
Another, private perspective is adopted by outstanding Polish artist Aneta Grzeszykowska in whose work we find themes of incompatibility of individuals and roles played by human bodies. This exhibition will be displayed at MOCAK where we will also have a chance to see a rising star of world photography, the youngest Magnum nominee in the agency’s history, Max Pinckers. The project presented during this year’s festival is a story about love – of the star-crossed sort, as it is forbidden by the Indian caste culture – and universal aspirations to show happiness. The artist pairs his photographs with newspaper clippings, notes, and artefacts from wedding photography studios, which might be seen as an attempt to go beyond the crisis of classical documentary photography.
The search for new forms of visual narrative in the era of the crisis of visual media is the main motif of a collective exhibition curated by Iris Sikking. The six projects presented here take on such difficult subjects as the heroin trade, genocide and migration; they are linked by a desire to go beyond a classical way of telling global histories, which the artists acknowledge to be insufficient. Here photographs on a wall are just as adequate form of response as a radio broadcast, a YouTube film or illustrations from an archive. The #Dysturb Collective speaks directly about the crisis in journalism, using the walls of buildings and advertising media to force Cracow’s inhabitants to face “street news” that seldom appears in newspaper headlines.
The strong showing of photography collectives is a notable feature of this year’s Photomonth with exhibitions of such groups as Sputnik Photos (Poland), Klara Källström & Thobias Fäldt (Sweden), Werker Magazine (the Netherlands/Spain) and Discipula (Italy).
Program of the 2016 Krakow Photomonth also includes ShowOFF section with exhibitions of young artists selected through an open competition. This year’s winners include: Martin Errichiello & Filippo Menichetti, Weronika Gęsicka, Katarzyna Hoffmann, Krzysztof Racoń, Constantin Schlachter, Michał Siarek, Kacper Szalecki and Justyna Wierzchowiecka.
As always, the festival is accompanied by such events as:
- Portfolio Review, providing an opportunity for young artists to submit their works to outstanding reviewers, with exhibition of the 2015 Griffin Art Space Prize for the best portfolio – Wiktoria Wojciechowska (DEBUTS 2014);
- Master Series meetings with both, the artists presenting their work in the Main Program and specialists to enrich the discussion around the theme of the festival or to speak of the ongoing fashion for photobooks;
- Krakow Photo Fringe, an independent platform bringing together submissions sent in by artists, animators, activists, galleries, and all those whose passion is photography, including exhibition laureates of the DEBUTS (edition 2015) in andel’s Hotel Cracow.
The program of events is also filled out with book premieres, workshops, presentations, film screenings and guided tours by the curators.
But the first exhibition of the 2016 Krakow Photomonth will take place in… Warsaw’s Dom Słowa Polskiego (11 Miedziana St., Warsaw, Poland) already on April 23. The Robert Knoth and Antoinette de Jong’s Poppy: Trails of Afghan Heroin presentation will be open to the public until May 3 and is a teaser for the festival.
2016 Krakow Photomonth
Crisis? What Crisis?!
May 12 – June 12, 2016
With opening of PIX.HOUSE on July 15, Poznan will join the cities, in which documentary photography has got its exposition space. The gallery starts with a great hit – international exhibition Generation 74 that will consist of pictures by 11 photographers: Gintaras Česonis (Lithuania), Kirill Golovchenko (Ukraine/Germany), Nick Hannes (Belgium), Mindaugas Kavaliauskas (Lithuania), Davide Monteleone (Italy), Pekka Niittyvirta (Finland), Borut Peterlin (doc! #21; Slovenia), Przemysław Pokrycki (doc! #7; Poland), Tomáš Pospěch (Czech Republic), Simon Roberts (UK) and Vitus Saloshanka (Belarus/Germany).
„Are the numbers important here or do these eleven photographers have something more than the same year of birth in common? Yes, and quite a lot” - says Mindaugas Kavaliauskas from Lithuania, originator of the project. - “Today each of them is a well-known photographer in and outside their own countries. Some of them are considered photography icons all over the world. They were 15 when the Berlin Wall collapsed, the guys from the Eastern Bloc were 16-18 when their countries regained independence, and 30 when they experienced the European Union enlargement in 2004. They have all created long-term documentary projects, feeling that the world is changing from the analog-unique to uniformly global one. Their attitude to photographing is marked by their civic, social and individual sense of duty to say honestly about their home countries, dwelling places and the places they visited, preparing their projects. Their works don’t try to be fashionable, spectacular, anything but superficial or glossy. Instead of that, they are human, worried, bitter, ironic, humorous and critical.”
The exhibition will be connected with a Polish launch of the book of the same name. It will be accompanied by numerous meetings, discussions and lectures which together will constitute the four-day feast of documentary photography.
|July 15, 2015|
|1:13 PM||press lunch – conference with animators of PIX.HOUSE and authors of the Generation 74 exhibition|
|6:00 PM||vernisage of the Generation 74 exhibition and official opening of PIX.HOUSE|
|7:30 PM||Meeting with Mindaugas Kavaliauskas and Kirill Golovchenko|
|July 16, 2015|
|1:13 PM – 8:00 PM||easy Thursday @ PIX.HOUSE: come, see the pictures, discuss|
|July 17, 2015|
|1:13 PM||meeting with Maciej Frąckowiak, co-author of the Invisible City project|
|2:30 PM||meeting with Piotr Małecki (doc! #18), documentary photographer of Napo Images agency|
|4:00 PM||meeting with Jacek Piotrowski, documentary photographer, author of the City-People-Cars. 1984-93 exhibition|
|5:30 PM||individual going to Stary Browar for the opening of the 2015 BZ WBK Press Foto’s post-competition exhibition|
|July 18, 2015|
|1:13 PM||presentation of photographic initiatives of Greater Poland region (Władysław Nielipiński of Regional Public Library)|
|2:30 PM||meeting with Grzegorz Kosmala, editor-in-chief of doc! photo magazine and originator of the DEBUTS project|
|4:00 PM||review of multimedia projects awarded at Grand Press Photo contest|
|5:30 PM||portfolio review with Mariusz Forecki, Adrian Wykrota (doc! #31), Michał Adamski (doc! #19) and Andrzej Dobosz (doc! #22)|
Free admission to all events!
Venue: PIX.HOUSE, 35a Glogowska St., Poznan (Poland).
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