Jock Sturges (again) @ The Lumière Brothers Centre for Photography

Anette and Auregann. Montalivet (France), 2012

Anette and Auregann. Montalivet (France), 2012

The Lumière Brothers Centre for Photography (re)presents The Absence of Shame exhibition by American photographer Jock Sturges on its walls.

The project was first opened at the beginning of September 2016. It consists of photographs which depict naturist families from France, North California and Ireland, with whom Sturges had been communicating. The author photographed them during his long artistic career. Having started in the 1970s, he has now shot 3 generations of models. The images uncovered their beauty, so the girls posed to the photographer voluntarily and without embarrassment.

2 Alexandras, Jeanne, Marine and Gaelle. Montalivet (France), 1987

2 Alexandras, Jeanne, Marine and Gaelle. Montalivet (France), 1987

Last year the exhibition had to be closed within a fortnight from its opening, despite the objections from photography lovers who had not yet managed to get acquainted with the project.  The reason for the closing was the appeal of Deputy Elena Mizulina, who saw signs of child pornography in the works and launched the mechanism of harassment. Mass support of Mizulina’s point of view, provided by politicians and public figures, and petitions to the procurator’s office and to the Investigation Committee led to attacks on the Lumière Brothers Photography Centre, threats directed against its employees and vandalism – all those matters forced the organisers to close the exhibition ahead of schedule. The investigation on the charges of the demonstration of child pornography lasted for almost a year, and has been completed very recently. Neither the 13 lawsuits filed by citizens, nor the viewpoints held by Mizulina and child ombudsman Anna Kuznetsova’s, both of whom have never even seen the photographs, could convince the investigating committee of the illegality of the exhibition. Expert witnesses recognised the complete absence of signs of any elements of crime and acknowledged the high artistic levels of the exhibited works.

In addition to the works of the talented and internationally recognised photographer Jock Sturges, it will now be possible to become acquainted with the history of the conflict through excerpts from newspapers, photo and video footage covering both opening and closing of the exhibition, and documents from the expert examination and investigation process.

Nicole. Euronat in Montalivet (France), 1989

Nicole. Euronat in Montalivet (France), 1989

Jock Sturges (b. 1947) | based in Seattle (WA, USA) | an American photographer known for his large-format portraits of nude adolescents | received a B.A. in Perceptual Psychology and Photography from Marlboro College in Vermont and an M.A. from the San Francisco Art Institute | worked with Richard Benson printing from the negatives of Paul Strand, Eugene Atget, Walker Evans and Gary Winogrand, among others | has published more than 10 monographs | his work has been included in many museum collections around the world (e.g. The Museum of Modern Art and the Metropolitan Museum of Art in New York, the National Library in Paris and The Frankfurt Museum of Modern Art).

Jock Sturges – THE ABSENCE OF SHAME 2.0
@
The Lumière Brothers Centre for Photography (Bolotnaya emb. 3, b.1, Moscow, Russia)
Opening reception: December 7 at 7.00 PM
The exhibition will be open to the public between December 8 and January 8, 2018

The Jock Sturges exhibition is for adult viewers only.

Jock Sturges @ The Lumiere Brothers Centre for Photography

2 Alexandras, Jeanne, Marine and Gaelle. Montalivet (France), 1987

2 Alexandras, Jeanne, Marine and Gaelle. Montalivet (France), 1987

Jock Sturges is of one of the most controversial photographers of the last decades known for his series of naturist families primarily taken at communities in France, Northern California and Ireland. Captured with a rare large format camera, his images often refer back to the old masters’ paintings and the classical style photography of the late 19th and early 20th century.

However, the photographer’s initial rise to fame was burdened by controversy. The young age of some of his models drew the attention of a conservative federal task force that raided his studio and seized his files and equipment, later on all his images and equipment were returned and no charges brought. Three years later his work was assailed again by an organised attack by extremist activists from American Christian communities who besieged bookshops aiming to seize and destroy his books. Once again his work was ultimately found to be innocent of all pornographic content or intent.

Anette and Auregann. Montalivet (France), 2012

Anette and Auregann. Montalivet (France), 2012

Indeed, his photographs are devoid of exploitive or negative characteristics. Sturges doesn’t treat the naked body as an abstract form, but engages with his models and aims to capture them when they are most at ease, giving his work a beautiful, unrestrained quality. Sturges is committed to long-term friendships with the families he photographs. The photographer captures his models – girls and young women from nudist communities – in the surroundings that are organic to them. “Nudity means nothing to anybody here… People are naked… because they are naturists and spend their summers in a resort dedicated to the absence of shame.”

Having started in the 1970s, now Sturges is photographing the third generation of his models. “I have many series that are 30 to 35 years old,” he says. He is fascinated with the human body and how it develops from a fat-bellied baby to a delicate child and from there into adolescence and beyond into adulthood. Not just the biological process is an interest of Sturges, the development of the personality is of equal, if not greater, importance to him: “My ambition is that you look at the pictures and realise what complex, fascinating, interesting every single one of my subjects is.”

The exhibition represents around 40 photographs, offering a retrospective view on the work of Jock Sturges from the 1970s up to the recent times.

Nicole. Euronat in Montalivet (France), 1989

Nicole. Euronat in Montalivet (France), 1989

Jock Sturges (b. 1947) | based in Seattle (WA, USA) | an American photographer known for his large-format portraits of nude adolescents | received a B.A. in Perceptual Psychology and Photography from Marlboro College in Vermont and an M.A. from the San Francisco Art Institute | worked with Richard Benson printing from the negatives of Paul Strand, Eugene Atget, Walker Evans and Gary Winogrand, among others | has more than 10 monographs published | his work has been included in many museum collections around the world (e.g. The Museum of Modern Art and the Metropolitan Museum of Art in New York, the National Library in Paris and The Frankfurt Museum of Modern Art).

Jock Sturges – ABSENCE OF SHAME
@ The Lumiere Brothers Centre for Photography (Bolotnaya emb. 3, b.1, Moscow, Russia)
Opening: September 8 at 12.00 PM
Artist talk: September 8 at 7.00 PM
The exhibition will be open to the public between September 8 and October 30, 2016

The Jock Sturges’ exhibition is organised under doc! photo magazine patronage.