Paweł Jaszczuk @ Leica 6×7 Gallery Warsaw

© Paweł Jaszczuk_01

¥€$U$ is already the second presentation of Paweł Jaszczuk’s works in the Leica 6×7 Gallery. After the projects showing day and night life in Japan, ¥€$U$ is the first one created since the author’s return to Poland. The inspiration for this project was documentation of gadgets and toys connected with Christianity, especially with contemporary Catholic devotion. For some years the artist has been buying them on the Internet, using such sites like eBay, Etsy and even Polish Allegro. All of them have been staged in a ‘natural’ context and portrayed in according to their purpose.

One of Paweł Jaszczuk’s goals is to draw attention to the surrealism of the marriage of capitalism to the world of religion and devotion in the modern times. The pictures present the whole spectrum of objects: from simple ones like a towel with image of Madonna on or a small pendant-cross with with a pocket knife to more unusual: a bath duck with a head of Jesus or a bulb with a cross-shaped filament. The ¥€$U$ project evokes universal questions on connections between religion, emotions and subjects (in this case – Catholic ones). What is the role of the images of the saints and of God? What are the borders of devotion? Can devotion and holiness exclude each other?

© Paweł Jaszczuk_05© Paweł Jaszczuk_02 © Paweł Jaszczuk_03

Paweł Jaszczuk observes how symbols and signs, along with the mass production, change into ambiguous gadgets. While related to religion, relics are considered unusual and unique (framed in precious materials and their use is strictly limited to fixed ritual), photographed by Jaszczuk they become relics ‘topsy-turvy.’ Often trashy, designed for everyday use, duplicated in thousands of copies, easy to be replaced swith new ones if destroyed or run out. On the other hand, these everyday items are closer to man: the artist emphasises their materiality, belonging to the owner and frequently his intimate relationship with them. Removed from the sacred level (because of its massification and utility), the object starts to function at the level of every-day reality, which means – at the level of profane.


© Paweł Jaszczuk_06© Paweł Jaszczuk_04

Paweł Jaszczuk (b. 1978) | based in Warsaw (Poland) | self-taught photographer | graduated from Graphic Design at the School of Visual Arts in Sydney (Australia, 2004) | for seven years lived and worked in Japan where photographed nightlife of Tokyo | his photographs have been presented by many magazines, including British Journal of Photography, GUP, PHOTO, Eyemazing, The New York Times Magazine and doc! photo magazine (doc! #29/30), among others | has been presented at individual and group exhibitions internationally | has published three photo books: Salaryman (Mörel Books, London, 2009), Kinky City (dienacht Publishing, Leipzig, 2015) and Everything You Do Is a Balloon (Lieutenant Willsdorff, Bordeaux, 2016).

 

Paweł Jaszczuk – ¥€$U$
@ Leica 6×7 Gallery Warsaw (3 Mysia St., Warsaw, Poland)
Opening reception: October 27 at 7.00 PM
The exhibition will be open to the public between October 28 and December 3, 2017

The Paweł Jaszczuk exhibition is organised under doc! photo magazine patronage.

Bogdan Dziworski @ Leica 6×7 Gallery Warsaw

Łódź (Poland), 1972 Courtesy of Leica 6x7 Gallery Warsaw

Łódź (Poland), 1972
Courtesy of Leica 6×7 Gallery Warsaw

Bogdan Dziworski’s photographs belong to the canon of Polish post-war photography. His black and white pictures present daily life of common people, just met on the street during long hours walks. Dziworski, outstanding filmmaker and master of street photography, by many considered Polish Cartier-Bresson, whose photos often resemble frames directly taken from films by leading directors of the so called Polish film school, like Andrzej Wajda, Janusz Morgenstern and Wojciech Jerzy Has, perfectly catches reality, thanks to which the situations shown in his pictures have specific aura. In effect, each picture is a short story in a form of poetic or funny anecdote

“My pictures from those years are never staged,” - says Dziworski. – “They are walked-out. Day by day, there were even eight hours of shooting. Zbigniew Rybczyński used to say: ‘Wherever I go, something interesting happens.’ It was like that with me. At the beginning – nothing. Some time later, if you are patient enough, you start your dancing with reality. It seems that everything is over, a normal man says ‘Goodbye,’ but it is just this moment to start shooting! And then that Bresson’s decisive moment appears. After long workouts it can be overtaken by fractions of a second. Photographing is waiting for this moment, when the reality will set itself. But you must be lucky. And I am. I watch two plans and put them together. Three plans would be incredible luck, that gets into your frame. A film director could stage it, I wait.” 

Skierniewice (Poland), 1986 Courtesy of Leica 6x7 Gallery Warsaw

Skierniewice (Poland), 1986
Courtesy of Leica 6×7 Gallery Warsaw

Łódź (Poland), 1966 Courtesy of Leica 6x7 Gallery Warsaw

Łódź (Poland), 1966
Courtesy of Leica 6×7 Gallery Warsaw

Bogdan Dziworski’s work is something more than street photography and photo stories from the second part of the 20th century. There is also a consequently, for decades realised project with a huge emotional load. Dziworski’s photographs have significant historical and cognitive value.

Many frames from his photographic record, created a little as if by chance, have never been presented. His first album titled My View was published in 1981 in Vienna (Austria). Not sooner did the second one appear than in the 1990s. It was the time when his intimate exhibitions took place in Warsaw, Cracow, Wrocław and Częstochowa (all in Poland). The f/5.6 exhibition at the Leica 6×7 Gallery Warszawa will be the first comprehensive, cross-sectional retrospective, representing the whole of Bogdan Dziworski’s many years of photographic work. Many of the never published before works, carefully selected from the photographer’s large archive, will be presented during the exhibition.

The exhibition will be accompanied by an album of the same title, artist’s talks and screening of Bogdan Dziworski’s documentary films.

Łódź (Poland), 1965 Courtesy of Leica 6x7 Gallery Warsaw

Łódź (Poland), 1965
Courtesy of Leica 6×7 Gallery Warsaw

Bogdan Dziworski (b.1941) | based in Warsaw and Szczecin (Poland) | photographer, cameraman, film screenwriter and lecturer | graduate of the Łódź Film School’s Direction of Photography faculty (1965) | awarded with the Gloria Artis Gold Medal (2014) | has cooperated with Polish Film Chronicle, Educational Film Studio in Łódź and Film Production Company Zespoły Filmowe | author of numerous documentary films awarded at major festivals, including Fencer (1980) and Olympiad (1978) | founder and the longtime Dean of the Radio and Television Faculty of the University of Silesia in Katowice | has presented his photographs at individual exhibitions in Poland and in the USA | author of the books My View. Polish Impressions in Photography (Hannibal Verlag, Vienna, 1981) and 1/250 second (Wydawnictwa Artystyczne i Filmowe, Warsaw, 2000) | the first part of the Polish Photography cycle was devoted to his work (TERRA NOVA Krzysztof Heike, Warsaw, 1999).

Bogdan Dziworskif/5.6
@ Leica 6×7 Gallery Warsaw (3 Mysia St., Warsaw, Poland)
Opening reception: September 7 at 7.00 PM
The exhibition will be open to the public between September 8 and October 22, 2017

Accompanying events:

  • artist’s talks: September 25 and October 9 @ Leica 6×7 Gallery Warsaw at 6.00 PM
  • film screenings and talks: September 30 @ Leica 6×7 Gallery Warsaw at 4.40 PM and October 15 @ Elektronik Cinema (7 Gen. Zajączka St., Warsaw, Poland) at 6.00 PM

The Bogdan Dziworski exhibition is organised under doc! photo magazine patronage.