It is the seventh time Opole will have a pleasure to host leading Polish photographers, the participants of the Opole Photography Festival. The October event will take place under the Look motto, to which the invited exhibitions present different attitude.
„Our goal is to show a man in different cultural relations in the context of photographic document,” – says Sławoj Dubiel of the 2.8 Foundation, organising the festival. – “The document on which people were captured, their faces forming collective portraits, the record of the epoch. A look at people in various cultural contexts, their journeys through time, dialogue with these phenomena, how deep the roots of our civilisation are.”
The photographers invited to Opole use different techniques in their work, they have different approaches to the role and attitudes of the photographer and they are at different stages of their careers. That is why the programme of this year’s festival is going to be very interesting. Below we present the five most interesting, according to the doc! photo magazine editors, exhibitions of the 2017 Opole Festival of Photography.
Jacenty Dędek – ELSEWHERE
Cross-sectional picture of contemporary provincial Poland. It is a multifaceted story about people living there, their relations, life’s inconvenience, things that are hard to them. In spite of the fact that the project is focused on local societies, the photographs speak about universal issues that can affect any of us.
Dominika Gęsicka – THIS IS NOT REAL LIFE
“There is a place where no one is born and no one dies,” – it is how the description of Dominika Gęsicka’s project, that won this year’s Łódź FOTOFESTIWAL Grand Prix, begins. Her material from Spitsbergen is an amazing story about the people who try to find their place in the world far away from the world. You can find This Is Not a Real Life project and an extensive interview with Dominika Gęsicka @ doc! photo magazine vol. Q1 #36.
Krzysztof Gierałtowski – RING
Master of portrait photography in action. A lesson on the history of communist Poland. The exhibition presents pictures of artists, scientists, writers, activists, workers and socialist managers. You can find here portraits of the then oppositionists, Marxist experts and communist ideologues.
Tymon Markowski – FLOW
The Brda, a river connecting Bydgoszcz with Bydgoszcz that are 106 kilometres away from each other. Markowski’s project is a record of one year lasting trip along the Brda River. Simultaneously, it also shows the river’s neighbourhood with its astonishing and unusual situations.
Piotr Zbierski – PUSH THE SKY AWAY
Piotr Zbierski comes back to Opole with the exhibition accompanying a book with the same title. It is a multifaceted, visually unusual story about man in different cultural contexts. It is also a summary of Piotr Zbierski’s (doc! #8 and cd! #5) hitherto photographic work put in three projects – Dream of White Elephants, Love Has To Be Reinvented and Stones Were Lost from the Base.
The programme of the festival also includes three group exhibitions (by students of the Łódź Film School’s Photography Faculty and the University of Opole’s Faculty of Art as well as members of the Opole Photographic Society) and an exhibition of the winner of this year’s edition of the Show Yourself! competition – Good Life by Paweł Piotrowski (doc! #1).
“We wanted each presentation to be a closed whole and the festival to show the diversity of attitudes in relation to the main theme,” – added Dubiel.
Traditionally, apart from the exhibitions, the Opole Festival of Photography also includes numerous artist’s talks and workshops.
More info @ www.offoto.pl (website in Polish language version only)
Opole Festival of Photography
@ Opole (Poland)
October 6 – November 11, 2017
The 2017 Opole Festival of Photography is organised under doc! photo magazine patronage.
All pictures courtesy of the 2017 Opole Festival of Photography.
Street photography is based on capturing unusual events, symbols or anecdotes hidden in everyday situations happening in public places. Street photographers observe, notice and capture things, that others are unable to see. They do not arrange their pictures, they save everyday life as it is.
Un-Posed, founded by Damian Chrobak in 2011, is one of the most recognised Polish street photography collectives. Its primary aim is to develop creativity and visual consciousness in public space and promote the achievements of Polish street photographers. Unposed also is the title of its next exhibition soon to be open in Wroclaw’s FOTO-GEN Gallery.
The Unposed exhibition focuses on a human being seen in different situations and photographed in different places around the world. The pictures by 9 photographers – Damian Chrobak (doc! #13 & #19), Maciej Dakowicz (doc! #12), Jamie Fyson Howard (doc! #16), Ania Kłosek (doc! #25), Monika Krzyszkowska (DEBUTS 2015), Tomasz Kulbowski, Tymon Markowski, Marta Rybicka (DEBUTS 2016) and Adrian Wykrota (doc! #31) – form a story about the current state of man in terms of behaviours, surroundings and emotions. Why are we drawn to these images? Do we see similarities in our own lives? Have we seen such scenes somewhere before?
Despite of the fact that all members of the collective move in the same area of interests, their photographs prove their individual style, which shows complexity and potency of street photography.
The Un-Posed exhibition is organised under doc! photo magazine patronage.