Jock Sturges (again) @ The Lumière Brothers Centre for Photography

Anette and Auregann. Montalivet (France), 2012

Anette and Auregann. Montalivet (France), 2012

The Lumière Brothers Centre for Photography (re)presents The Absence of Shame exhibition by American photographer Jock Sturges on its walls.

The project was first opened at the beginning of September 2016. It consists of photographs which depict naturist families from France, North California and Ireland, with whom Sturges had been communicating. The author photographed them during his long artistic career. Having started in the 1970s, he has now shot 3 generations of models. The images uncovered their beauty, so the girls posed to the photographer voluntarily and without embarrassment.

2 Alexandras, Jeanne, Marine and Gaelle. Montalivet (France), 1987

2 Alexandras, Jeanne, Marine and Gaelle. Montalivet (France), 1987

Last year the exhibition had to be closed within a fortnight from its opening, despite the objections from photography lovers who had not yet managed to get acquainted with the project.  The reason for the closing was the appeal of Deputy Elena Mizulina, who saw signs of child pornography in the works and launched the mechanism of harassment. Mass support of Mizulina’s point of view, provided by politicians and public figures, and petitions to the procurator’s office and to the Investigation Committee led to attacks on the Lumière Brothers Photography Centre, threats directed against its employees and vandalism – all those matters forced the organisers to close the exhibition ahead of schedule. The investigation on the charges of the demonstration of child pornography lasted for almost a year, and has been completed very recently. Neither the 13 lawsuits filed by citizens, nor the viewpoints held by Mizulina and child ombudsman Anna Kuznetsova’s, both of whom have never even seen the photographs, could convince the investigating committee of the illegality of the exhibition. Expert witnesses recognised the complete absence of signs of any elements of crime and acknowledged the high artistic levels of the exhibited works.

In addition to the works of the talented and internationally recognised photographer Jock Sturges, it will now be possible to become acquainted with the history of the conflict through excerpts from newspapers, photo and video footage covering both opening and closing of the exhibition, and documents from the expert examination and investigation process.

Nicole. Euronat in Montalivet (France), 1989

Nicole. Euronat in Montalivet (France), 1989

Jock Sturges (b. 1947) | based in Seattle (WA, USA) | an American photographer known for his large-format portraits of nude adolescents | received a B.A. in Perceptual Psychology and Photography from Marlboro College in Vermont and an M.A. from the San Francisco Art Institute | worked with Richard Benson printing from the negatives of Paul Strand, Eugene Atget, Walker Evans and Gary Winogrand, among others | has published more than 10 monographs | his work has been included in many museum collections around the world (e.g. The Museum of Modern Art and the Metropolitan Museum of Art in New York, the National Library in Paris and The Frankfurt Museum of Modern Art).

Jock Sturges – THE ABSENCE OF SHAME 2.0
@
The Lumière Brothers Centre for Photography (Bolotnaya emb. 3, b.1, Moscow, Russia)
Opening reception: December 7 at 7.00 PM
The exhibition will be open to the public between December 8 and January 8, 2018

The Jock Sturges exhibition is for adult viewers only.

­­­Wojtek Wieteska @ Leica 6×7 Gallery Warsaw

© Wojtek Wieteska_001

Travelling by Wojtek Wieteska is a story on two kinds of love: the photographer for photography and the photographer for a mysterious blonde – Agni. Their lasted for one year relationship was filled with photography, which resulted in a personal cycle of images, kept in the modern fair tale’s convention.

This is how Wojtek Wieteska describes Travelling in his recent essay A Photograph Is a Love Letter for doc! photo magazine:

“I had a beautiful and intriguing love affair between September 22, 2016 and September 4, 2017. (…) It was then when I created my most personal, intimate and luminous project Travelling. (…) I told about what and where had happened between both of us and how we both saw that. Together, as Agni was next to me, behind me or in front of the lens when I was photographing.”

© Wojtek Wieteska_002

The pictures from the Travelling series are filled with places, items and ephemeral situations in which this story took place. The colour images are diverse: from extreme close-ups,  details to urban scenes and natural landscapes. In some cases Wieteska shows how he perceives feminine eroticism without nagging with nudity. What connects that spectrum of aesthetics is emotions, sensuality and reflexion on photography per se. The recurring theme is the links between this medium and our sensitivity. Are photographs able to give a condensed picture, essence of the events that have really happened? How to capture the truth about love in a photograph? What is the place of photography in our life, here and now?

These questions make Travelling a total work that can be contemplated as a set or as single frames. Each part of the project is rooted in the artist’s statement: “Photography is faster than words!”

“I took pictures of emotions and feelings that appeared and disappeared like sparks. I often didn’t have enough time to name them. Today, I can photograph all things around me; it is the question of carving the style and my individual alchemy. I worked on the selection of its ingredients for a long time. There is nothing accidental in Travelling, but none of the pictures was staged,” – says Wojtek Wieteska.

Travelling also tells us how to put some thousands of taken photos into your own fictional or documentary story. That is why the show has its formal structure and scenographic concept carefully planned by Wieteska. Travelling consists of three mutually complementary and equivalent parts: the exhibition, screenings of a silent film with live music and non-standard catalogue.

© Wojtek Wieteska_004

Wojtek Wieteska (b. 1964) | based in Warsaw (Poland) | photographer, filmmaker, writer, curator and teacher | one of the most recognisable Polish photographers of his own unique, conceptual approach to reality | has exhibited his photo projects in the most important Polish galleries and museums of contemporary art | author of photographic albums and books | his projects have been published in various magazines, including doc! photo magazine (doc! #17) | his photographs are held in collections in France, Germany, Japan, Norway, Poland, Sweden, Switzerland and in the USA | works in commercial field and leads Masters Classes | graduated from the Łódź Film School’s Faculty of Photography (PhD in Visual Arts: Photography) | also studied History of Art at Paris Sorbonne IV (France) and University of Warsaw (Poland) | columnist of doc! photo magazine.

Wojtek Wieteska – TRAVELLING
@ Leica 6×7 Gallery Warsaw (3 Mysia St., Warsaw, Poland)
Opening reception: December 7 at 7.00 PM
The exhibition will be open to the public between December 8, 2017 and February 4, 2018

The exhibition also includes:

  • film screenings:
    • @ Atlantic Cinema (33 Chmielna St., Warsaw, Poland) on December 5 at 7.00 PM (enrollments @ http://bit.ly/2zjrfQv)
    • @ Mysia 3 (3 Mysia St., Warsaw, Poland) on December 8 at 6.30 PM, January 22 at 6:30 PM and special three-channel screening of films with travelling motive on January 28 at 12.00 PM up to 6.00 PM
  • artist tour on December 9 at 4.00 PM

The Wojtek Wieteska exhibition is organised under doc! photo magazine patronage.

HumanDOC film festival starts today!

25 films will be screened during the 8th International Documentary Film Festival HumanDOC, which starts today in Warsaw (Poland). The festival is the first in Central and Eastern Europe and the world’s third innovative event combining world-class cinema with global reflection. Films presented at the HumanDOC Festival are real gems of documentary films showing global interdependencies, problems and challenges. The festival is a world in a nutshell: living for less than one dollar a day, fighting against social exclusion, the effects of climate change, international aid, conflicts…

The festival is a unique combination of pleasurable and useful: world-class documentaries, social campaigns, debates and discussions – HumanDOC presents original, full of passion and emotions films, which are sensitive to social injustice and above all – inspire action, thinking and discovering the world anew!

Globalisation has heavily influenced societies in different parts of the world, causing the problems of underdeveloped countries to rise to the level of global ones. At the same time, however, the economic divide between the rich North (the so-called Global North) and the poor South (Global South) is continuing to deepen. The uncontrolled growth of the world population and the accompanying unemployment are causing extreme poverty, epidemics of hunger and infectious diseases. There are further conflicts that force more costly interventions on richer countries. Excessive consumption causes the depletion of natural resources and dramatically worsens condition of the environment. These problems are just a small part of a very long list of challenges facing the world today.

All films featured during the 8th International Documentary Film Festival HumanDOC are grouped in six categories:

  • KILOMETRES – close and far journeys;
  • FREE UKRAINE – the geographically closest conflict;
  • REFLECTION – meditations about the yesterday, today and tomorrow;
  • UNIQUE – unknown communities;
  • CHANGE – what is worth to work on;
  • IMPORTANT MISSION – superheroes of modernity.

This year, the jury will award three prizes: The Best Polish Film, The Best Foreign Film and Special Award for The Best Film Online.

More info and detailed programme of the festival @ festival.humandoc.pl (website in Polish language version only)

 

International Documentary Film Festival HumanDOC
@ Warsaw (Poland)
November 24-26, 2017

The HumanDOC film festival is organised under doc! photo magazine patronage.

X.PRINT #2 photobook festival

Taken from the Grimaces of the Weary Village series

Taken from the Grimaces of the Weary Village series

-> Long-term photo strategies / long-term projects

The second edition of the photobook festival X.PRINT looks into the time-consuming activities related to the publication process. In the realm of a photo document, time is necessary for the rectification of initial assumptions, for changes of the original strategies of analysing the reality around us, for the construction of visual narratives about ever-changing issues or for attempts to account for reality on the basis of the many and varied personal relations, which photographers build consistently and consciously.

Such long-term documentary projects seem to naturally make use of the medium of the photo book. In the areas of edition, design and curatorial projects, the time we want to talk about, offers an opportunity for certain ideas to develop. This time assures distance.

Because of the time, the evaluation and interpretation of events (historical, from the realm of photography, exhibitions or art) acquire a new meaning by virtue of re-interpretation. We will therefore try to demonstrate such areas of the photobooks world which must take longer to hatch, at each stage: of picture-taking, edition and design.

New Brighton (England, UK) Taken from the The Last Resort series, 1983-85

New Brighton (England, UK)
Taken from The Last Resort series, 1983-85

The prime focus of the festival is a series of meetings connected with an exhibition of photographs by Martin Parr and Rimaldas Vikšraitis – The Real World.

Between November 14 and December 10, 2017, Arsenał Municipal Gallery presents a comprehensive exhibition The Real World, grouping together photographs by Martin Parr (from The Last Resort and Small World series) with those by a Lithuanian author Rimaldas Vikšraitis (Grimaces of the Weary Village). The exhibition, originally prepared by Gintaras Česonis, a curator of the Kaunas Photography Gallery, has to date been shown in Kaunas, Vienna, Minsk, and Tbilisi. A juxtaposition of the works by Martin Parr, one of the most eminent contemporary photographers, a member of the Magnum Photos agency, publisher, collector and an authority on photobooks, with powerful, artistic works by Rimaldas Vikšraitis, who portrays the Lithuanian province, is a narrative which treats social everyday reality both personally and ruthlessly. Both authors will be the guests of the festival. On November 25 and 26, during meetings held at the Arsenał Municipal Gallery, they will talk about their work and will present selected publications.

It is during the meetings at Arsenał Municipal Gallery on November 25 and 26 that invited guests, distinguished representatives of Polish and European documentary photography, editors and curators, will talk about their own strategies of working on photography books and will hold small exhibits of their publications. Ten open meetings will be held on the festival weekend and will help confront the approaches represented by our guests, browse through their books, supposed to illustrate their artistic or editorial assumptions. These meetings will likewise help to compare methods of work on photo publications, the common denominator of all of which is a long-term analysis of a certain reality.

Venues of the festival:

More info and detailed programme of the festival @ pix.house/xprint-2017-eng

X.PRINT #2
@ Poznań (Poland)
November 24-26, 2017

The X.PRINT photobook festival is organised under doc! photo magazine patronage.

Warsaw Photo Days 2017

© Valentyn Odnoviun

On November 17, Warsaw Photo Days festival organised by Warsaw division of the Association of Polish Artists Photographers ZPAF will open under the theme POST SOVIETICUS. Sixteen exhibitions presenting the works of forty two authors will be shown in Warsaw galleries.

The theme of this year’s edition of the festival has been formulated for the presented photographic projects to serve as an artistic reference to the history and modernity of the post-Soviet countries. The traces of the past in both the people and places turned out to be an interesting area for artistic expression, but also an opportunity to present important historical photographs depicting the shape of the past world.

© Maciej Osiecki

The opening day will include a series of exhibitions in various locations in Warsaw, including:

  • Country on the Rise. 1960-89 @ Stara ZPAF Gallery & Obok Gallery (8 Zamkowy Sq. Warsaw, Poland); opening at 6.00 PM
  • Roadtrip @ Nowe Miejsce Gallery (51/2 Jerozolimskie Av., Warsaw, Poland), opening at 7.00 PM
  • DEBUTS (edition 2017) @ Sinfonia Varsovia (272 Grochowska St., Warsaw, Poland); opening at 8.00 PM

Tomasz i Marta 1012.05.19

The Open Programme exhibitions opening and announcement of the Grand Prix winner will take place @ Sinfonia Varsovia (272 Grochowska St., Warsaw, Poland) at 8.00 PM.

Open Programme exhibitions include:

  • Alexander Anufriev (Russia) – New Moscow
  • Andrei Liankevich (Belarus) – Goodbye, Motherland
  • Andrei Nacu (Romania) – Encircled by the Motherland
  • Doina – Domenica Cojocaru (Romania) – Remnants
  • Irene Jonas (France) – The End of the Red Man
  • Jovana Mladenovic (Serbia) – Monumental Fear
  • Karol Pałka (Poland) – Building
  • Kirk Ellingham (United Kingdom) – Georgian Stranger
  • Lorraine Turci (France) – Pyramiden, Polar Epitaph of an Utopia
  • Masha Svyatogor (Belarus) – Kurasoushchyna, My Love
  • Tatyana Palyga (Russia) – Cherepovets
  • Triin Kerge (Estonia) – Kodukoht (Place of Home)
  • Urszula Janoszuk (Poland) – Vilnius Post Sovieticus: Autopresentation
  • Valentyn Odnoviun (Lithuania) – Surveillance

© Bartłomiej Maślak | DEBUTS (edition 2017)

Artist’s talks of photographers presented in pen Programme will take place on November 18 @ Stara Galeria ZPAF Gallery (8 Zamkowy Sq., Warsaw, Poland).

More details @ www.warsawphotodays.com

Warsaw Photo Days 2017
POST SOVIETICUS
@ Warsaw (Poland)
November 17 – December 15, 2017

The 2017 Warsaw Photo Days festival is organised under doc! photo magazine patronage.

Paweł Jaszczuk @ Leica 6×7 Gallery Warsaw

© Paweł Jaszczuk_01

¥€$U$ is already the second presentation of Paweł Jaszczuk’s works in the Leica 6×7 Gallery. After the projects showing day and night life in Japan, ¥€$U$ is the first one created since the author’s return to Poland. The inspiration for this project was documentation of gadgets and toys connected with Christianity, especially with contemporary Catholic devotion. For some years the artist has been buying them on the Internet, using such sites like eBay, Etsy and even Polish Allegro. All of them have been staged in a ‘natural’ context and portrayed in according to their purpose.

One of Paweł Jaszczuk’s goals is to draw attention to the surrealism of the marriage of capitalism to the world of religion and devotion in the modern times. The pictures present the whole spectrum of objects: from simple ones like a towel with image of Madonna on or a small pendant-cross with with a pocket knife to more unusual: a bath duck with a head of Jesus or a bulb with a cross-shaped filament. The ¥€$U$ project evokes universal questions on connections between religion, emotions and subjects (in this case – Catholic ones). What is the role of the images of the saints and of God? What are the borders of devotion? Can devotion and holiness exclude each other?

© Paweł Jaszczuk_05© Paweł Jaszczuk_02 © Paweł Jaszczuk_03

Paweł Jaszczuk observes how symbols and signs, along with the mass production, change into ambiguous gadgets. While related to religion, relics are considered unusual and unique (framed in precious materials and their use is strictly limited to fixed ritual), photographed by Jaszczuk they become relics ‘topsy-turvy.’ Often trashy, designed for everyday use, duplicated in thousands of copies, easy to be replaced swith new ones if destroyed or run out. On the other hand, these everyday items are closer to man: the artist emphasises their materiality, belonging to the owner and frequently his intimate relationship with them. Removed from the sacred level (because of its massification and utility), the object starts to function at the level of every-day reality, which means – at the level of profane.


© Paweł Jaszczuk_06© Paweł Jaszczuk_04

Paweł Jaszczuk (b. 1978) | based in Warsaw (Poland) | self-taught photographer | graduated from Graphic Design at the School of Visual Arts in Sydney (Australia, 2004) | for seven years lived and worked in Japan where photographed nightlife of Tokyo | his photographs have been presented by many magazines, including British Journal of Photography, GUP, PHOTO, Eyemazing, The New York Times Magazine and doc! photo magazine (doc! #29/30), among others | has been presented at individual and group exhibitions internationally | has published three photo books: Salaryman (Mörel Books, London, 2009), Kinky City (dienacht Publishing, Leipzig, 2015) and Everything You Do Is a Balloon (Lieutenant Willsdorff, Bordeaux, 2016).

 

Paweł Jaszczuk – ¥€$U$
@ Leica 6×7 Gallery Warsaw (3 Mysia St., Warsaw, Poland)
Opening reception: October 27 at 7.00 PM
The exhibition will be open to the public between October 28 and December 3, 2017

The Paweł Jaszczuk exhibition is organised under doc! photo magazine patronage.

Open Call of the 2017 Warsaw Photo Days

opencallwfd

POST SOVIETICUS

The communism era is marked by surprising amnesia. Even though we can still feel the breath of the days before the political transformation of the post-Soviet countries of the last 28 years, we are reluctant to admit this. Moreover, we consider this as some shameful family secret. But it is true that, as in the case of every era, post-communist modern times need a reference point in order to be defined.

In the post-Soviet part of Europe, the real socialism works as the above mentioned reference point. Its reality feels constantly present in political, sociological and philosophical discourse, but we rarely admit its presence in our daily life, despite the fact that it is noticeable everywhere. Its traces remain perceptible; tangible not only through the Palace of Culture and Science discreetly overshadowed by modern constructions in the very centre of Warsaw. It is worth looking for those traces everywhere as without them the image of our contemporary reality will remain incomplete and difficult to comprehend.

The Open Programme of the 2017 Warsaw Photo Days will attempt to take a closer look at the mentality and culture of the post-Soviet countries both in the past and the present. Although it has been years since Polish perception turned from east to west, one cannot deny that totalitarian communist system – in its material and spiritual entirety – has profoundly influenced modern generations. This is undoubtedly one of the sources of the hybridity of contemporary culture, torn between the past (Homo Sovieticus) and the present (Post Sovieticus) – built as contradiction of what is seemingly long past.

The traces of the past (to be found in people and places today) are an interesting field for authoring the subject, but also to remind the viewers of important historical photographs illustrating the shape of the past world.

They are also what should inspire younger generations – as an aspect often pushed into oblivion, yet one which contributes to modern consciousness, a specific synthesis of the memory of the past and the image of the present.

The 2017 Warsaw Photo Days Open Call for photographic and multimedia projects discussing the POST SOVIETICUS topic lasts until October 30, 2017 (11.59 PM CET).

More info @ www.warsawphotodays.com

Warsaw Photo Days
@ Warsaw (Poland)
November 17 – December 15, 2017

The 2017 Warsaw Photo Days is organised under doc! photo magazine patronage.

Eastreet 4

© Ilya Shtutsa

The fourth edition of Eastreet is not that different from the previous ones, especially in a sense that it’s unpredictable… After five years, all we can expect is to be surprised by the photos submitted to the open call. Although the form of Eastreet and its main themes remain unchanged, and some of the names reappear again, each iteration possesses its own character, rhythm, and a set of different focal points. Similarly, we are different as well – both the curators and the audiences – our view of each consecutive stage of the story has changed over time. We are more experienced, better equipped with earlier images and reflections that they have evoked since. The region is again broadly defined, without following any particular map or administrative division (there are too many of those). The organisers decided to include the Balkans, South-Eastern Europe and the EU Eastern Partnership countries. This broad definition creates a diverse and fluid region, where borders, constitutions, symbols, moods and governments are in a state of perpetual flux.

Eastreet is the sum of voices of the photographers observing Eastern Europe, but it’s primarily about the whole region in question, not about any particular nation states or individual authors. This is more a showcase of photographs than individual photographers. Eastreet encourages a wider look at human presence within the public spaces of Eastern Europe. It is an attempt to visually describe the region beyond stereotypes, borders and differences.

The response to the open call announced in June proved yet again amazing. Altogether, we have received almost 11 thousand photographs submitted by authors from every corner of the world – not just from people of Eastern European origin. Eventually, after a few weeks’ selection process, the curatorial team (Aleksander Bochenek, Joanna Kinowska, Tomasz Kulbowski and Grzegorz Ostręga) chose 100 photographs taken by authors from 20 countries. All the selected photos will be presented in the form of a gallery and outdoor exhibition, as well as a photo book. The premiere will take place on October 20, 2017 at the Centre for the Meeting of Cultures in Lublin (Poland). It will be accompanied by a workshop, portfolio review, slideshows and curators’ talk, happening over three days of the opening weekend.

Eastreet is an ongoing project dedicated to documentary photography of the broadly defined Eastern Europe. It is one of the largest initiatives of this kind – over to 30,000 photos were submitted to all four editions so far.

We present you a hand-picked selection of the 10 best photos included in the fourth edition of Eastreet.

© Nikita Teryoshin

© Julie Hrudova

© Jacek Łagowski

© Ihor Hora

© Garry Efimov

© Dmitry Ermakov

© Beatriz Calafell

© Anna B. Gregorczyk

© Alejandro Ilukewitsch

Photographers included in Eastreet 4: Basia Abramowicz (DEBUTS 2016), Semyon Aleschenko, Ana Alexandrescu, Andre Alves, Penelope Ambert, Bianca Benisch, Oliwia Beszczyńska, Nik Brezginov, Tetyana Bunyak, Taras Bychko, Beatriz Calafell, Yulia Chervinska, Ewa Chodzicka, Magda Chodownik, Maciej Dakowicz (doc! #12), Nikolay Dutkin, Garry Efimov, Dmitry Ermakov, Baltazar Fajto (DEBUTS 2017), Andrey Gontarev, Anna B. Gregorczyk, Daniel Gnap, Wojciech Grzędziński (doc! #11 & #40), Clarisse Guichard, Dan Gutu, Diane Hion, Ihor Hora, Jamie Howard (doc! #16), Julie Hrudova, Alejandro Ilukewitsch, Dariusz Jasak, Pawel Jędrusik, Zisis Kardianos, Alexander Kazantsev, Ivan Kleymenov, Ania Kłosek (doc! #25), Nikos Konidaris, Łukasz Kotecki, Vaggelis Kousioras, Marcin Lewandowski, Andrew Loochnikov, Jacek Łagowski, Dariusz Madziński, Karol Malec, Tymon Markowski, Gregory Michenaud, Marcin Mirosławski, Dmitry Muzalev, Alex Naanou, Boris Nemeth, Konstancja Nowina Konopka (DEBUTS 2015), Paul Osipoff, Gabriela Popa, Maciej Rerek, Eleni Rimantonaki, Thomas Schell, Andrey Semenov, Anna Serkova, Leonid Shadevsky, Ilya Shtutsa, Vasilis Spagouros, Stavros Stamatiou, Ruth Stoltenberg, Elena Subach, Simona Supino, Adrian Svec, Jacek Szust, Karol Szymkowiak (doc! #26), Hajdu Tamas, Nikita Teryoshin, John Trifonopoulos, Darya Trofimova, Jakub Wysocki, Lukas Vasilikos, Roman Yarovitcyn, Eugene Yefremov, Jegor Zaika, Peter Zéglis and Artem Zhitenev.

More info @ www.eastreet.eu

Eastreet 4
@ Centre for the Meeting of Cultures (1 Teatralny Sq., Lublin, Poland)
Opening reception: October 20, 2017 at 7.00 PM
The exhibition will be open to the public until December 3, 2017

The Eastreet 4 is organised under doc! photo magazine patronage.

Piotr Wójcik @ The Lumière Brothers Centre for Photography

Adrian Jurszczyk, 2015

Adrian Jurszczyk, 2015

Polish Institute in Moscow and The Lumière Brothers Centre for Photography present a multimedia “portrait” of the dynamic Katowice city that celebrated the 150th anniversary of its founding last year.

Katowice is the capital of Silesia, industrial centre of Europe in the 19-20th centuries. Together with 13 neighbouring towns Katowice constitute the largest metropole in Poland and the unique agglomeration in Europe – Upper Silesian Industrial Region - which accounts for over 3 million people. Katowice is one of the brightest examples of a European city that underwent successful transformation from an industrial and mining province into a cultural, science and business centre. It is an actively developing city with one of the lowest unemployment rates in Poland. Katowice is the most multinational city in Poland boasting rich history and unique architecture.

Bartosz Ziecina, 2015

Bartosz Ziecina, 2015

Piotr Wójcik made 150 portraits/interviews of Katowice inhabitants. The exhibition also includes Tomasz Sinek’s 15 colour landscapes photographs and Monika Próba’s videos of the places chosen by the citizens. The contrast between the industrial past of Katowice and its present life shows through versatile stories told by the heroes. They appear surprising and their thoughts and ideas reveal new vision of the city and its inhabitants.

Portraits were taken in different parts of Katowice, each connected with the main characters of the projects and chosen by them. These photographs show people in urban and home environments. Portraits share common stylistic approach and differ in their content.

Mariola Poddebska, 2015

Mariola Poddebska, 2015

Piotr Wójcik (b. 1967) | based in Warsaw (Poland) | photographer and documentary filmmaker | lecturer at the Łódź Film School’s Photography and TV Production faculties | president of the Picture Doc Foundation | associated with Gazeta Wyborcza (since 1989) | former head of its photo editorial team (2001-2011) | author of documentary projects about the Romani in Europe and social problems of Poland | awarded with the Knight’s Cross of Polonia Restituta medal for his opposition activity for the period until 1989.

Piotr Wójcik – KATOWICE 150+1. WITNESS OF CHANGES
@ The Lumière Brothers Centre for Photography (3 Bolotnaya Emb., Building 1, Moscow, Russia)
Opening reception: October 12 at 7.00 PM
The exhibition will be open to the public between October 13 and November 5, 2017