Sergey Melnitchenko (Ukraine), Jordan Gale (USA), Anna T. Pfeiffer, and Ewa Doroszenko (both from Poland) have been selected by the DEBUTS jurors as their personal picks from the group of 20 winners of this year’s edition of the project awarding the most talented emerging photographers in the world.
One of the novelties of this year’s edition of DEBUTS is a personal pick by each juror. The members of the jury were asked to chose one submission they considered the best. Sergey Melnichenko from Ukraine, whose application was indicated by two jurors: Elviera Velghe, director of the Museum of Photography in Antwerp (Belgium), and Peter Bauza, a photographer-documentalist from Germany, can be considered the greatest DEBUTS laureate. Here is what they wrote in their justifications:
“The submission by Sergey Melnichenko is my personal favourite because the quality of each photo project is very high. The three projects are three times different. But it proofs to me that the photographer may vary, but still keeps his skills on top. The projects overwhelmed me by their atmosphere that grabs me by the throat. Every project shows a high original potential with beautiful, rich photography. In ‘Behind the Scenes’ the photographer gets us an insight of an emotional aspect of burlesque theatre. It is very intimate; gorgeous photos with extremal colours and contrasts. Even though the theme of ‘Passengers’ is not complicated, the photos keep stuck in my memory. In the last project ‘Polaroids from China Part II Monochromes’ every photo is a piece of art. I love the way the photographer approaches a topic with an adjusted photographic style. Sergey has a sharp photographic eye, sensitive enough to get the composition right, the contrasts good and excellent narrative photos.” (Elviera Velghe)
“It was not easy to review, score, and then narrow down all the many brilliant entries, with a high standard. But among the many impressive submissions for the DEBUTS contest this year, the artist of ‘Behind the Scenes,’ ‘Passengers’ and ‘Polaroids’ was able to maintain a style, a story, and a narrative. Sergey Melnichenko has a bright and above-average language and is able to express his emotions and feelings.” (Peter Bauza)
Sarker Protick, photographer and World Press Photo winner from Bangladesh, has recognised submission by Anna Pfeiffer, a Polish citizen living in Italy, as his favourite one. He wrote about it:
“An approach of Anna Pfeiffer to photography is smart, intelligent and playful at the same time. I am impressed by the quality of her portfolio which consists of three different projects, all having an effort to reinvent from one another while still having a strong personal attachment to the subject matters. These body of works also has interesting possibilities to present in many different forms of book and exhibitions.”
The favourite of Isabella van Marle of the Unseen Amsterdam festival is another Pole – Ewa Doroszenko. In her justification one can read:
“I have chosen Ewa Doroszenko’s proposal as my favourite because it was the most outstanding and surprising one. I find it very clever how the photographer translates criticism on society in an artistic manner. The projects are reflecting on the meaning of images in the digital age. New technologies such as virtual reality and beauty apps are shifting our perception of what nature and beauty are. The proposal has a clear message and is creatively constructed. ‘The Promise of Sublime Words’ is my aesthetical favourite.”
The DEBUTS originator and editor-in-chief of doc! photo magazine quarterly, Grzegorz Kosmala, pointed to the application of Jordan Gale from the USA, about which he wrote:
“I am very impressed by the applications for this year’s edition of DEBUTS. Choosing the one was really difficult. My favourite is Jordan Gale, who although submitted only one project, delighted me with the sincerity of speech and the way of conducting his narrative. It takes a lot of courage to talk about yourself and your loved ones in this way, especially when their past is marked by dark episodes. The more I appreciate the fact that Jordan has allowed us into his world. His project is not only a story about the family, but also a picture of the contemporary American province.”
The laureates of the fifth edition of DEBUTS are: Kirsten Leah Bitzer (USA), Michele Crameri (Switzerland), Ilaria Di Biagio (Italy), Ewa Doroszenko (Poland), Jean-Félix Fayolle (France), Jordan Gale (USA), Ilias Georgiadis (Greece), Mirek Kaźmierczak (Poland), Paweł Łączny (Poland), Raj Lalwani (India), Camille Lévêque (France), Sergey Melnitchenko (Ukraine), Filippo M. Nicoletti (Italy), Valentyn Odnoviun (Lithuania), Anna T. Pfeiffer (Poland/Italy), Natalia Poniatowska (Poland/United Kingdom), Sergey Stroitelev (Russia), Gihan Tubbeh (Peru), Federico Vespignani (Italy), and Adam Wilkoszarski (Poland).
The first presentation of works of all DEBUTS winners and the premiere of the book will take place traditionally during the International Festival of Photography FOTOFESTIWAL in Łódź (Poland), which starts on June 21 and will last until July 1, 2018.
It is a pleasure to announce names of 20 photographers who have been recognised by the DEBUTS 2018 jury as the most talented emerging photographers of the year and invited to the book and travelling exhibition, shown exclusively during the photographic events.
The DEBUTS 2018 winners are (in alphabetical order):
- Kirsten Bitzer (USA)
- Michele Crameri (Switzerland)
- Ilaria Di Biagio (Italy)
- Ewa Doroszenko (Poland)
- Jean-Felix Fayolle (France)
- Jordan Gale (USA)
- Ilias Georgiadis (Greece)
- Mirek Kaźmierczak (Poland)
- Paweł Łączny (Poland)
- Raj Lalwani (India)
- Camille Leveque (France)
- Sergey Melnitchenko (Ukraine)
- Filippo Nicoletti (Italy)
- Valentyn Ondoviun (Lithuania)
- Anna Pfeiffer (Italy)
- Natalia Poniatowska (United Kingdom)
- Sergey Stroitelev (Russia)
- Gihan Tubbeh (Peru)
- Federico Vespignani (Italy)
- Adam Wilkoszarski (Poland)
The first public presentation of the winners and their projects will take place this June (more information to come).
Four of the listed above photographers have also been picked out by the jurors, who this year’s were Peter Bauza (Germany), Grzegorz Kosmala (Poland), Isabella van Marle (the Netherlands), Sarker Protick (Bangladesh), and Elviera Velghe (Belgium), as their personal choice. Their names and the jurors’ justifications will be presented next week.
The 3rd edition of the International Photography Festival Białystok INTERPHOTO biennale starts at the beginning of September. This year’s event, titled The Limits of Tolerance, includes not only exhibitions, but also meetings, lectures, workshops, multimedia presentations, school competitions, activities combining photography with music or literature, and city games. This year, in addition to artists from different countries, the event will host reviewers, curators and critics responsible for similar events in other European cities that make up the international opinion of the environment. Thanks to them, the festival is enriched with INTERPHOTO Grand Prix and International Portfolio Review.
The festival is a place where Eastern European photography can meet with the Western one, where photographers – focused on important social identity and formal issues in the field of contemporary media as artistic expression – may exchange their experiences and start new joint projects.
Although the festival officially starts on September 14, a part of its extensive programme opens before that day. Within the framework of the festival there will be 34 individual and group exhibitions. There will be over 50 different accompanying activities, including workshops (eg rare European daguerreotype workshops run by Lithuanian artists), film screenings, meetings, lectures and other forms of talks about photography. More than 200 artists will come to Białystok to participate at exhibitions and in workshops, lectures and meetings. More than 30 organisations and institutions are involved into the festival, and the festival events will take place in more than 23 venues: from galleries, through universities and coffee houses to streets.
This year’s edition theme is Limits of Tolerance. It will be answered by such artists as Martin Kollar, István Halas, Andriy Boyarov, Arnis Balčus, Maria Kapajeva, Jan Pohribný, Alexander Vasukovich and Bogdan Konopka (cd! #3). The festival will also present numerous group exhibitions, including Zero-61” (curated by Lech Lechowicz), Central by East Central (curated by Adam Mazur) and post-competition presentation of the most talented emerging Polish photographers DEBUTS (edition 2017).
More info @ www.interphoto.pl
International Photography Festival Białystok INTERPHOTO 2017
@ Białystok (Poland)
September 14 – October 18, 2017
The 3rd edition of the International Photography Festival Białystok INTERPHOTO is organised under doc! photo magazine patronage.
All pictures courtesy of the International Photography Festival Białystok INTERPHOTO.
The third edition of the W Ramach Sopotu Festival of Photography will transform the seaside Sopot into a centre of Polish photography once again. Lovers of the art of photography will have an opportunity to see the effects of work of the festival residents – the leading Polish photographers. Artistic residences are typical of Sopot’s festival. The selection of impressive authors, expressing themselves in different kinds of photographic art lets gather enthusiasts of different interests around one event. To this year’s edition of the festival, its Art Director, Tomasz Bergmann, invited artists using different stylistic formula: documentarists who also know the language of abstraction as well as creative authors also expressing themselves in modern documentary forms: Kuba Dąbrowski, Zuza Krajewska, Adam Lach (doc! #18), Rafał Milach (doc! #19), Tadeusz Rolke (doc! #11) and Ilona Szwarc (doc! #7).
The title frames of the festival are taken from the literally meaning while the idea of the organisers expresses the concept from behind the world of limits. The total freedom of creativity, given to artists by the town, encourages to cross the frames. Sopot offers them its physical tissue and the photographs are allowed to use everything that is nonmaterial. According to the organisers, the cyclic formula of the festival will create a multidimensional portrait of the place as well as the changing reality.
The projects done in the frames of the artistic residences will be presented as the main exhibition of the festival (curator: Maja Kaszkur). The exhibition will be supported by many artist’s talks and workshops.
Further attractions of the 3rd edition of W Ramach Sopotu Festival of Photography are:
- Places. Reconstruction III, monographic exhibition of Tadeusz Rolke curated by Marek Grygiel;
- Single Shot, collective exhibition originally organised by the Fort Institute of Photography and curated by Krzysztof Miękus;
- Freefall, individual exhibition of Pszemek Dzienis originally organised by the Leica 6×7 Gallery Warsaw;
- DEBUTS (edition 2017), post-competition exhibition of the project organised by doc! photo magazine;
- outdoor exhibition of Łukasz Gawroński;
- project by students of the Gdańsk Academy of Fine Arts curated by Wojtek Wieteska;
- presentation of works by students of the Sopot School of Photography and Instagrammers.
W Ramach Sopotu Festival of Photography
@ Sopot (Poland)
September 8-10, 2017
The 3rd edition of the W Ramach Sopotu Festival of Photography is organised under doc! photo magazine patronage.
New realities, quasi-biographies, weird, unbelievable worlds. This year, Fotofestiwal has invited artists who use fiction to comment on ‘here and now.’ They will draw you into a game, where boundaries between the real and the unreal are no longer so obvious. Hence the title of the 16th edition of Fotofestiwal – DASZ WIARĘ? / CAN YOU IMAGINE?
Fotofestiwal is one of the most significant photography events in this part of Europe. It gathers photographers from all over the world, presenting their works at exhibitions visited by thousands of viewers. Fotofestiwal is an opportunity for the audience to discover the most interesting phenomena of contemporary photography, while for photographers – to broaden their knowledge during workshops and the portfolio review.
This year, the viewers will face imagined realities and participate in a game in which they will no longer be just passive observers. The artists who participate in Dasz wiarę? / Can you Imagine? say: don’t believe photography, ask questions, be an attentive observer. Dialogue with the audience of Dasz wiarę?/ Can you imagine? is strengthened by subtle, (un)real installations by Noémie Goudal and the latest project called Provisional Arrangements by Martin Kollar, a renowned absurd seeker.
The curator’s exhibition will be prepared by one of the most intriguing artists of the young generation – Augustin Rebetez. He is known for his signature – black birds, human-like creatures and incredible structures that have made appearance in the minimalist gallery halls of Berlin, Paris, Lausanne, Arles, Mexico City or Montreal, among others. Trash Cans for Hearts and People Have No Soul, a chorus exhibition curated by Augustin Rebetez, is more than a photography exhibition – it is a total artistic universe, which Rebetez creates together with sixteen other artists, including David Favrod (winner of the 2014 Grand Prix Fotofestiwal), Christian Patterson, Birthe Piontek, Reiner Riedler and Yumiko Utsu.
The team of curators will present the set of works authored by the master of artistic mystification – Joan Fontcuberta. This will be the first in Poland presentation of such a large collection of works by one of the best known artists, curators and theoreticians of photography. Fontcuberta’s works have been presented in the most renowned arts institutions in the world. In Łódź, we will see three of his projects: Fauna, Herbarium and Constellations, which have significantly influenced the understanding of contemporary photography. Herbarium and Constellations take us to the fantasy world of quasi-botany and pseudo-astronomy. Fauna is a seemingly documentary project about research conducted by an unknown biologist, who discovers new animal species. A snake with centipede’s legs or a monkey having a body of a horse are only examples of what Fontcuberta ‘captured.’ It could change the history of science… if only it was real.
This year’s Fotofestiwal theme will also be reflected at the photo book exhibition and selected film screenings. However, Fotofestiwal is not only about the world of fiction – the NOOR agency (doc! #7), known for its strictly documentary photography, will organise workshops for photographers and the celebration of its 10th anniversary.
Traditionally, the festival will begin with announcement of the results of Grand Prix competition, presenting the most interesting phenomena of contemporary photography. One out of ten finalists – Loulou d’Aki, Andrea & Magda, Zeng Ge, Dominika Gęsicka (doc! #26), Wojciech Grzędziński (doc! #11), Vittorio Mortarotti & Anush Hamzehian, Alexandra Lethbridge, Jerome Ming, Viacheslav Poliakov and Oliver Tooke – will receive the prize of PLN 10,000. The competition works will be presented at the exhibitions and slideshows in the urban space.
The main programme of the 2017 Fotofestiwal Łódź is enriched with:
- lots of accompanying exhibitions, including the premier show of the DEBUTS (edition 2017)’s laureates as well as individual exhibitions of Viviane Sassen (doc! #5) or Rafał Milach (doc! #19);
- photobook exhibitions (Kassel Dummy Award 2017 and Photo Publication of the Year);
Fotofestiwal Kids, a series of workshops for the youngest ones, guided walks around exhibitions and a playground where parents may leave their children under care, while they themselves can see the exhibitions.
Next to the photo exhibitions, events, evening slideshows, artist’s talks and guided walks, the festival will also include film screenings (thanks to partnership with Transatlantyk Film Festival): premieres of most interesting documentaries about photography and photographers (i.e. Josef Koudelka and Robert Frank), some works that are a result of the search for a new film form that includes photography, and short photo-films presented earlier at the Les Nuits Photographie Festival.
More info @ www.fotofestiwal.com
@ Łódź (Poland)
June 1-11, 2017
The International Festival of Photography FOTOFESTIWAL ŁÓDŹ is organised under doc! photo magazine patronage.
“Nothing is true and nothing is false – everything is a possible true fiction or a deceptive fact,” – this is how Gordon MacDonald, the curator of the main programme, writes on images presented during the Krakow Photomonth 2017 Festival, one of the Europe’s most important photographic events. The 15th, jubilee edition of the festival focuses on how photographers see and describe the world.
From the Outside, Looking In is a leitmotif of the festival’s main programme. Its focal point is the concept of a photographer as an observer. Starting from a spontaneous idea of examining a selected subject, the photographer enters into a somewhat closed world, looks in from the outside. It is his or her decision to which extent events can be observed, how deeply they can be penetrated, and how closely they can be examined. But even in the very middle, the artist is always separated from the scrutinised object by a camera. It is the device that records things; perception of the artist, and subsequently the viewers’, it is subject to his or her intellectual background and accumulated knowledge.
“With the series of exhibitions that make up ‘From the Outside, Looking In,’ I have taken the position that photography is always on the outside looking in,” – says Gordon MacDonald. – “With photography, the genesis of a work is often spontaneous, instantaneous, and external. Regardless of the nuance of particular practice or mode, force a feeling of examination, rather than what is widely considered as a more lyrical dialogue within many other art-forms.”
The projects presented under the common title From the Outside, Looking In show us the world while simultaneously balancing between reality and fiction. In the images, nothing is true and nothing is fabricated. Everything is possible. Whether we believe the image, is our own will or decision, our ability to be empathic, or our knowledge of a given field.
Divisive Moments is an exhibition which will test our perception. It will show documents from UFO Photo Archives, poses a question if we are regularly visited by aliens, or we are victims of mass self-manipulation.
Our comprehension is certainly manipulated by artists participating in The War From Here exhibition. They do not document individual war incidents we know from the news or photo reportages – they ask questions how we are connected with war. The presented images will make the viewers be closer to wars which are usually witnessed from a distance, will make them feel instead of just watch.
Further, we will take a look at a history of a small town in West Virginia (USA) told by an American artist, Susan Lipper, through her Grapevine series. Although her pictures seem to fit in the conventional poetics of documentary photography, in fact, Lipper has abandoned the traditional approach allowing her models to play roles and create characters which could be – but not necessarily – identical with themselves.
The work of Diana Lelonek – A New Archaeology for Liban and Płaszów – gives us an opportunity to contemplate the memory of sites and the stories told about ourselves by traces found by the artist in the area of the Liban quarry and a former concentration camp in Płaszów.
At the We Also Dance exhibition, Gordon MacDonald takes us on the journey to an extraordinary world of dance as a manifestation of freedom and an antidote to political and social control of minds and bodies.
This year’s edition of the festival brings several novelties. In addition to the part of the programme prepared by curators, the festival allowed special space for Polish photography. The Things: The Object in Polish Photography exhibition, presented by Collector’s Photography, shows works of outstanding Polish artists of several generations, who present their individual approaches – from a document, to conceptual ideas and photographic objects – to this subject. Photography in its classical form will be shown on the exhibition of Andrzej Georgiew, re-introducing his work and re-discovering this outstanding artist, also in the context of his place in the history of Polish photography. And finally, we will find ourselves in the very middle of theatre events guided by Magda Hueckel.
Another, but of equal importance, part of Krakow Photomonth is the ShowOFF Section presenting premiere projects of young artists selected through an open competition.The open call of this year’s edition of the ShowOFF Section won: Terje Abusdal (Norway), Jan Cieślikiewicz (DEBUTS 2014; Poland), Polina Karpova (Ukraine), Lucie Khahoutian (Armenia), Flor Maesen (Belgium), Viacheslav Poliakov (Ukraine), Kaja Rata (DEBUTS 2015; Poland) and Karolina Wojtas (Poland).
The Portfolio Review organised during the Krakow Photomonth Festival gives the opportunity for its participants to have their works assessed by experts. The reviewers include, as each year, Polish and international critics, gallery owners, artists and theoreticians. During 20-minute individual sessions the review participants may listen to the reviewers’ opinions regarding their works and establish valuable contacts. The best portfolios receive a prestigious prize funded by the Griffin Art Space Foundation – Griffin Art Space Prize – whose aim is to promote interesting and mature art projects. The winner, selected from participants in the Portfolio Review, will be able to create a professional collector’s folder and present his/her work in the form of an exhibition.
Accompanying events make an important part of the festival. The Krakow Photo Fringe is an independent platform bringing together submissions sent in by artists, animators, activists, galleries, and all those who are passionate about photography – including the final exhibition of DEBUTS (edition 2016). The success of the previous editions has led the organisers to expand the Photo Fringe to cover the entire Małopolska region. This year exhibitions and events will take place in Tarnów, Krzeszowice, Myślenice and other localities.
Particular attention should be also paid to the Masters Series. Invited artists and specialists will enrich the discussion around the theme of the festival and will talk about new trends in the world of photography. The program of events is filled out with book premieres, workshops, presentations, film screenings and curators walks.
More info @ photomonth.com
Krakow Photomonth 2017 Festival
@ Cracow (Poland)
May 19 - June 18, 2017
The Krakow Photomonth 2017 Festival is organised under doc! photo magazine patronage.
The 20th jubilee Film Video Foto Fair is closer and closer! The biggest industry event in Poland will become a great opportunity for all fans of film and photographic art again.
During this year’s edition of the fair almost 130 firms will appear, including leading producers and distributors of photo and video industry. Exhibitors will present a rich and varied offer of photographic, film, audio-video equipment and accessories as well as multimedia technologies. The Film Video Foto Fair is a great opportunity to follow the latest trends, test a wide assortment of products or learn about technological innovations. In addition to that, it is an excellent opportunity to establish new and maintain the current business contacts as well as exchange experiences and discuss the industry.
As usual, the fair is accompanied by workshops, seminars, presentations and meetings aimed at professionals dealing with photography and film as well as amateurs. Thanks to the rich programme of accompanying events, everybody will be able to develop their skills and competences by following the best.
The first series of the workshops and trainings is connected with photographing. Tomasz Tomkowiak, Karol Nienartowicz, Robert Wolański, Sławek “hesja” Krajniewski, Marek Arcimowicz, Wiktor Franko and Jacek Bonecki, all respected and repeatedly rewarded photographers, will tell about their experiences.
The people who are interested in filming will certainly listen to the lectures and participate in meetings with Captain Pilot Henryk Kwapisz or Wacław Mączyński, among others. There are also lectures aimed at those who are involved in image processing.
Another attraction for visitors of this year’s Film Video Foto fair is a cycle of author’s talks with famous photographers. The following artists have confirmed their participation: Chris Niedenthal (doc! #6), Jacek Poremba (doc! #8), Marcin Dobas and already mentioned Marek Arcimowicz.
As in the previous edition, the fair will also be accompanied by the Art Zone, the place of meetings with artists representing different kinds of photography and presenting their artistic achievements. During the jubilee edition of Film Video Foto Fair you will be able to meet Magdalena Franczuk, Sonia Firlej, Paweł Brzeziński, Arcadius Mauritz or Yulia Krivich (DEBUTS 2015), among others.
The visitors, after a large dose of information on the newest equipment and software, will be able to see several photo exhibitions, including:
- DEBUTS (edition 2016)
- Olympus’ visionaries
- collective exhibition of the Art Zone’s guests
- Our World Is Beautiful
- Opole Landscapes
- Agata Serge’s Freckles
More info @ www.filmvideofoto.pl
Please note, the first day of the Film Video Foto Fair (April 6) is scheduled for business meetings of the professionals. This day visiting is possible on the basis of invitations, multiple entry cards and media accreditations
20th Film Video Foto Fair
@ Expo-Łódź (4 Politechniki Av., Łódź, Poland)
April 6-8, 2017
At the beginning of April, Łódź will become a Polish capital of photography and filming. During three days of jubilee edition of FILM VIDEO FOTO fair, all those, whose passion is recording the light in the frame and film, will be celebrating their feast.
This year’s edition of the fair will give a great opportunity to see novelties presented by leading producers, service provides and distributors of photographic, film, audio-video equipment and accessories as well as multimedia technologies. The FILM VIDEO FOTO fair is not only the novelties from the world of photography and film, that you can see and test on your own, it is also a wonderful opportunity to meet the most recognisable and experienced experts in both of these fields.
As every year, the FILM VIDEO FOTO fair will offer its visitors a number of lectures and workshops. Every day the trainings will be divided into thematic blocks related to photography, film, print and image processing. There will also be exhibitions and meetings with famous photographers during which they will tell us about their skills and experience. This year’s Art Zone will be divided into Young Polish Photographers – including presentation of the DEBUTS (edition 2016) winners – and Masters of Frames. In addition, there will be meetings with artists presenting their own achievements and different kinds of photography.
The first day of the FILM VIDEO FOTO fair in Łódź, the biggest exhibition of photo, audio and video industry in Central and Eastern Europe, will belong exclusively to the industry representatives for B2B meetings. The next two days will be available to all those who want to develop their skills, gain knowledge of news in technology and meet recognisable experts in the industry of photography and film.
More info @ www.filmvideofoto.pl
FILM VIDEO FOTO 2017
@ Expo-Łódź (4 Politechniki Av., Łódź, Poland)
April 6-8, 2017
The FILM VIDEO FOTO fairs are organised under doc! photo magazine patronage.
The 4th edition of Press Photo Expo will take place in one of the oldest Warsaw’s trade houses, built in 1914 – The Jabłkowski Brothers – on January 16. The event, whose goal is to share photographic knowledge and experience, gathers professionals and photography lovers. This year’s edition of Press Photo Expo will consist of photo exhibitions, products presentations, legal consultations, lots of workshops and lectures, including this by special guest of the event – Joe Klamar, photojournalist of the Agence France Presse known for his controversial images of the US Olympics team.
“During this event professionals meet each other in one place to focus on offering designed specifically for them,” – says Adam Nurkiewicz, organising the event. - “The list of companies presenting their equipment for photographers covers all leading brands producing cameras, lenses and peripheries.”
The event is addressed primarily to professional photographers, freelancers, photo agencies and information services, photographic associations, journalists’ associations, editorial staff, students and all people interested in good photography.
One of the accompanying events of the 2017 Press Photo Expo will be Warsaw presentation of the most talented emerging Polish photographers, laureates of DEBUTS (edition 2016), selected by international jury, consisting of photographers, publishers and gallery owners.
More info @ www.pressphotoexpo.com
Press Photo Expo 2017
@ The Jabłkowski Brothers Trade House (25 Bracka St., Warsaw, Poland)
January 16, 2017
10.00 AM – 9.00 PM
The 2017 Press Photo Expo is organised under doc! photo magazine patronage.
This year’s anniversary edition of Fotofestiwal will begin on June 9 and last until June 19, 2016. The main theme of the fifteenth festival will be the experience intrinsically linked to photography from its very beginning – travel and the various forms of its recording and presentation. The main theme, HIT THE ROAD: Photographers’ Travel will comprise not only generic postcard photography, but also the forms that transcend it – conceptual, press and documentary photography.
The festival will take a look at the works of Robert Rauschenberg, co-creator of pop-art, and at the photographs of David “Chim” Seymour, one of the originators of the world famous Magnum Photos agency. The exhibitions under the HIT THE ROAD scheme are curated by Alison Nordström, the art director of the Fotofestiwal and former curator of George Eastman House at Rochester (NY, USA).
One of the regular sections of the festival is the Grand Prix. It begins with the photo contest and ends with the publication of its results as well as the opening of the final exhibitions. The winner of the Grand Prix, amounting PLN 10,000, will be announced during the festival opening ceremony. It will be one of the following artists:
Carlos Alba – The Observation of Trifles
The Observation of Trifles is a documentary photography project about how a foreigner finds his way in a new country and a new neighbourhood. The objects found in the street – details of letters with notes, drawings, urban furniture reproductions – are the key to an unexplored world and to new life stories.
David Fathi – Wolfgang
Wolfgang Ernst Pauli, one of the founders of quantum physics, was nicknamed the “Conscience of Physics”. But he was also known among his peers for something a bit less “scientific”. Legend says that when Pauli entered a room, experiences would fail and machinery would break down. His colleagues jokingly called this phenomenon The Pauli Effect. This series is a semi-fiction where the Pauli Effect continues to haunt everyday life at CERN. The observer is the actor in establishing what is science and what is a myth.
Nick Hannes – Mediterranean. The Continuity of Man
Over 100 million tourists flock to the Med every year. Thousands of desperate immigrants from Africa and Asia continuously attempt to cross its water in shabby boats. The project comprises pictures of the 20 countries, documenting contemporary issues such as tourism, urbanisation, migration, crisis and conflict.
Patryk Karbowski – Halfway
A middle-sized city in the centre of Poland, halfway between the mountains and the Baltic Sea. Neither rich, nor really poor, with a typical history of the region’s industrial capital which blossomed in the times of state socialism and lost that position after 1989. A halfway state, in between present and past, between East and West, between here and now.
Birte Kaufmann – The Travellers
The Travellers project gives insight into the everyday life of Ireland’s largest minority group. This group has a nomadic origin, stemming from the tradition of migrant workers. As this tradition no longer exists, the travellers are looking for a new identity within the Western European society of the 21st century.
Karolin Klüppel – Mädchenland (Kingdom of Girls)
In the state of Meghalaya in India, the indigenous people of the Khasi with 1,1 million members form the majority of the population. Here, traditionally it is the girls who are of particular importance and who play an exposed role in the family. The succession in the maternal line guarantees girls and women in Meghalaya a unique economic and social independence in contrast to the general conditions in India.
Yurian Quintanas – Happy Nothing
For some people the desert represents decay and death. There is scarcity of water and shade, extreme temperatures and a lack of resources for humans to survive. But at the same time there is a long tradition of the desert as a place of healing, both physically and spiritually. With the Californian desert as background, Happy Nothing is a personal journey that delves into the lives of its inhabitants and its secrets.
Jewgeni Roppel – Magnit
Today, Russians are talking about Siberia, especially in esoteric and spiritual societies, as a magical place on the Earth that attracts people who are seeking spiritual or mystic experience. The phenomenon of the new desire in Siberia, and its growing interest is the topic of Magnit.
Shadman Shahid – Ajna
Shadman Shadid’s journey has a slightly different character. The word Ajna is Sanskrit means the eye that one uses to see the immaterial, to observe that which is formless. In Ajna, the author of the photographs explores human existence, looking for answers to basic questions about self-fulfillment.
Sanne De Wilde – The Island of the Colourblind
Over 250 years ago, a catastrophic typhoon swept over the island Pingelap, a tiny atoll in the Pacific Ocean, leaving only 20 survivors. One of the survivors was the king, the ruler at that time, who carried the rare achromotopsia gene that causes complete colourblindness. The king went on to have many children and by the time the island reached the 4th generation of Pingelapese after the typhoon. Most of them see the world in black and white. What would colour look like, how would they colour the world, the trees, themselves?
The International Photography Festival in Łódź will also feature slideshows, over 30 exhibitions in the OFFROAD section (including the first public presentation of the DEBUTS 2016 laureates), portfolio review, photographic workshops and photowalks as well as a large section devoted to photobooks. The festival also returns – in cooperation with Transatlantyk – to a film programme containing the freshest and the most interesting films on photographers and photography.
2016 Fotofestiwal in Łódź
HIT THE ROAD: Photographers’ Travel
June 9-19, 2016
More info @ www.fotofestiwal.com
The 15th International Festival of Photography FOTOFESTIWAL in Łódź is organised under doc! photo magazine patronage.